The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
It was exceptional when an hacienda hired a priest-instructor
permanently. Since teachers were either poorly paid or were hacienda
guests, they offered halfhearted service. Haciendas were known to
neglect education intentionally: the peasant was to be kept
subordinate--a little reading, a little writing, but no more.
[Illustration: Hacienda de San Antonio, Guanajuato: 18th-century chapel
ruin.]
[Illustration: Hacienda de San Antonio, Colima: 17th-century chapel and
terminus of aqueduct.]
[Illustration: Hacienda de Jajalpa, D.F.: pink stucco sixteen-room,
red-tiled 19th-century residence and chapel.]
[Illustration: Hacienda San Cayetano, Nayarit: one of a pair of pink
ceramic lions at entry to residence.]
[Illustration: Hacienda de Guarache, Michoacán: residence and chapel.
Now a government school.]
[Illustration: Hacienda de Petaca, Guanajuato: residence.]
Usually the main hacienda residence housed the school. One of the
twenty or thirty rooms was designated the classroom. It was small and
had few or no windows; the open door let in light and air. Students in
the sixteenth century sat on the floor. Later, they had benches and
sat around a table, the _maestro_ at one end. Slates came into being
in the eighteenth century; and, in the nineteenth century, blackboards.
Engravings of the presidents began to decorate bare walls. Dirty,
foxed maps hid stains. Tiled floors were often cold and damp. Though
there was sunshine most of the year, classes were never held under the
laurel or palm trees.
Girls sat on one side, boys on the other--if the room was large enough.
There were no sanitary facilities, no health precautions, no hygiene
instruction. At recess, the children drank from the patio fountain or
cattle trough.
[Illustration: Hacienda de Juana Guerra, Amado Nervo, Durango:
millstone.]
On an hacienda employing four hundred workers, about twenty children
attended school. Since the hacienda was on a dawn-to-dark schedule,
work never ran out; the average hacendado felt he could employ those
skinny legs and arms to his advantage. At harvest time there were no
classes; during fiestas there were no classes; if the _maestro_ got
drunk there were no classes. Truancy was a fact of life.
[Illustration: Hacienda Aguilera, Oaxaca: former 19th-century hacienda
residence, now university building.]
At school and at home the children played marbles, using clay marbles
of their own baking. They spun tops and played jacks, tag,
hide-and-seek, and a flower game called "Stealing a Soul." In "The Old
Saints," the "buyer" dashed from one saint to another to see if his
saint is the one he wants to buy. If the saint runs off and is caught
he is given a "job" to do.
A favorite song was "Golden Bell":
_Little golden bell,
Let me pass;
With all my children
Who are behind me._
Singing "La Víbora del Mar," the children divided into two groups; this
was a tug-of-war song and is still remembered:
Public-domain text, read in full here on John Shaqi.
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