The Hall of Fantasy (From "Mosses from an Old Manse")Hawthorne, Nathaniel
Philosophy
The Hall of Fantasy (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
In niches and on pedestals around about the hall stood the statues or
busts of men who in every age have been rulers and demigods in the
realms of imagination and its kindred regions. The grand old
countenance of Homer; the shrunken and decrepit form but vivid face of
AEsop; the dark presence of Dante; the wild Ariosto; Rabelais’s smile
of deep-wrought mirth, the profound, pathetic humor of Cervantes; the
all-glorious Shakespeare; Spenser, meet guest for an allegoric
structure; the severe divinity of Milton; and Bunyan, moulded of
homeliest clay, but instinct with celestial fire,—were those that
chiefly attracted my eye. Fielding, Richardson, and Scott occupied
conspicuous pedestals. In an obscure and shadowy niche was deposited
the bust of our countryman, the author of Arthur Mervyn.
“Besides these indestructible memorials of real genius,” remarked my
companion, “each century has erected statues of its own ephemeral
favorites in wood.”
“I observe a few crumbling relics of such,” said I. “But ever and anon,
I suppose, Oblivion comes with her huge broom and sweeps them all from
the marble floor. But such will never be the fate of this fine statue
of Goethe.”
“Nor of that next to it,—Emanuel Swedenborg,” said he. “Were ever two
men of transcendent imagination more unlike?”
In the centre of the hall springs an ornamental fountain, the water of
which continually throws itself into new shapes and snatches the most
diversified lines from the stained atmosphere around. It is impossible
to conceive what a strange vivacity is imparted to the scene by the
magic dance of this fountain, with its endless transformations, in
which the imaginative beholder may discern what form he will. The water
is supposed by some to flow from the same source as the Castalian
spring, and is extolled by others as uniting the virtues of the
Fountain of Youth with those of many other enchanted wells long
celebrated in tale and song. Having never tasted it, I can bear no
testimony to its quality.
“Did you ever drink this water?” I inquired of my friend.
“A few sips now and then,” answered he. “But there are men here who
make it their constant beverage,—or, at least, have the credit of doing
so. In some instances it is known to have intoxicating qualities.”
“Pray let us look at these water-drinkers,” said I.
Public-domain text, read in full here on John Shaqi.
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