Produced by Andrea Ball, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team, produced
from images generously made available by the Canadian
Institute for Historical Microreproductions.
THE HALLAM SUCCESSION
BY
AMELIA E. BARR
AUTHOR OF "JAN VEDDER'S WIFE," "THE BOW OF ORANGE RIBBON,"
"FRIEND OLIVIA," ETC., ETC.
CONTENTS.
AMERICANS IN YORKSHIRE.
MARTHA CRAVEN'S TROUBLE.
RICHARD AND ELIZABETH.
WESLEY AND METHODISM.
ANTONY'S PLANS.
GOD CLEARS BEN CRAVEN.
CHRISTMAS.
RENEWAL OF THE COVENANT.
SEPARATION.
AT HOME AGAIN.
JOHN MILLARD.
THE PASSIONATE SHOT.
TEXAS AND LIBERTY.
RICHARD AT HALLAM.
MAY. A. D. 1836.
ANTONY AND HIS BRIDE.
THE SQUIRE'S DEATH.
ANTONY'S SIN.
ELIZABETH'S RESOLVE.
EVELYN.
ELIZABETH'S TRIAL.
LOVE COMFORTED.
ANTONY'S FATE.
SANTA FE EXPEDITION.
ELIZABETH IN TEXAS.
THE SUNSET OF LIFE.
TO
MY DEAR FRIEND,
SAM. EARNSHAW WILSON, ESQ.,
THIS TALE
IS, WITH AFFECTIONATE ESTEEM,
INSCRIBED.
THE HALLAM SUCCESSION.
CHAPTER I.
"The changing guests, each in a different mood,
Sit at the road-side table and arise:
And every life among them in likewise
Is a soul's board set daily with new food.
"May not this ancient room thou sitt'st in dwell
In separate living souls for joy or pain?
Nay, all its corners may be painted plain
Where Heaven shows pictures of some life well-spent."
Yorkshire is the epitome of England. Whatever is excellent in the
whole land is found there. The men are sturdy, shrewd, and stalwart;
hard-headed and hard-fisted, and have notably done their work in every
era of English history. They are also a handsome race, the finest
specimens extant of the pure Anglo-Saxon, and they still preserve the
imposing stature and the bright blonde characteristics of the race.
Yorkshire abounds in what is the typical English home--fine old halls
and granges, set in wooded parks, and surrounded by sweet, shady
gardens. One of the fairest of these homes is Hallam-Croft. There may
be larger halls in the West Riding, but none that combines so finely
all the charms of antiquity, with every modern grace and comfort. Its
walls are of gray stone, covered with ivy, or crusted with golden
lichens; its front, long and low, is picturesquely diversified with
oriel windows, gable ends, and shadowy angles. Behind is a steep,
craggy range of woody hills; in front, a terraced garden of great
extent; full of old-fashioned bowers, and labyrinth-like walks, and
sloping down to a noble park, whose oaks and beeches are of wonderful
beauty, and whose turf is soft as velvet and greener than any artist
ever dreamed of.
Public-domain text, read in full here on John Shaqi.
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