The Hammer: A Story of the Maccabean TimesChurch, Alfred John
History
The Hammer: A Story of the Maccabean Times
Church, Alfred John
Jewish fiction; Jews -- History -- To 70 A.D. -- Fiction; Maccabees -- Fiction
His speech was Greek. Hebrew of course he knew, both in its classical and
its conversational forms; but he was as careful to conceal his knowledge
as an old-fashioned Roman of his time would have been careful to hide the
fact, if he had happened to know any language besides his own. His very
name, it will have been observed, had been changed to suit the new fashion
which he was endeavouring to set to his countrymen. Really it was
Joshua—no dishonourable appellation, one would think, seeing that it had
been borne by the conqueror of Canaan, and by the most distinguished of
the later high priests. But it did not please him, and he had changed it
to Jason.
As for his ways of thinking, these will become evident enough if we listen
to a little more of his conversation.
“And you think, Cleon,” he went on—Cleon was a Greek adventurer who gave
himself out as an Athenian, but who was shrewdly suspected of coming from
one of the smaller islands of the Ægean—“you think that our games went
pretty well?”
“Admirably, my dear Jason,” answered the Greek, who really had thought
them a deplorable failure, but who valued too much his free quarters in
the high priest’s sumptuous palace to give a candid expression of his
opinion.
“You see we had great difficulties to contend with. You can hardly
imagine, for instance, how hard I found it to persuade our young men to
run and wrestle naked. They quoted some ridiculous nonsense from the Law,
as if we could be bound nowadays by some obsolete old rules that no
sensible person would think for a moment of observing.(2) You saw, I dare
say, to-day that I was obliged to allow some of them to wear a loin-cloth.
They positively refused to come into the arena without it. Well, we shall
educate them in time. They _must_ learn to admire the beauty of the human
form, unspoilt by any of the trappings with which, for convenience sake,
we are accustomed to conceal it. I don’t despair of our having a school of
art here some day—not rivals, my dear Lysias, of your glorious Phidias and
Praxiteles, but imitators, humble imitators, whom yet you won’t disdain to
acknowledge.”
“But, my dear sir, you forget the Commandment, ‘Thou shalt not make to
thyself any graven image.’”
Public-domain text, read in full here on John Shaqi.
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