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THE HAND IN THE DARK
BY ARTHUR J. REES
AUTHOR OF "THE SHRIEKING PIT"
NEW YORK: JOHN LANE COMPANY
LONDON: JOHN LANE, THE BODLEY HEAD
Copyright, 1920
PRESS OF
THE VAIL-BALLOU COMPANY
BINGHAMTON, N. Y., U. S. A.
THE HAND IN THE DARK
CHAPTER I
Seen in the sad glamour of an English twilight, the old moat-house,
emerging from the thin mists which veiled the green flats in which it
stood, conveyed the impression of a habitation falling into senility,
tired with centuries of existence. Houses grow old like the race of men;
the process is not less inevitable, though slower; in both, decay is
hastened by events as well as by the passage of Time.
The moat-house was not so old as English country-houses go, but it had
aged quickly because of its past. There was a weird and bloody history
attached to the place: an historical record of murders and stabbings and
quarrels dating back to Saxon days, when a castle had stood on the spot,
and every inch of the flat land had been drenched in the blood of serfs
fighting under a Saxon tyrant against a Norman tyrant for the sacred
catchword of Liberty.
The victorious Norman tyrant had killed the Saxon, taken his castle, and
tyrannized over the serfs during his little day, until the greater
tyrant, Death, had taught him his first--and last--lesson of humility.
After his death some fresh usurper had pulled down his stolen castle,
and built a moat-house on the site. During the next few hundred years
there had been more fighting for restless ambition, invariably connected
with the making and unmaking of tyrants, until an English king lost his
head in the cause of Liberty, and the moat-house was destroyed by fire
for the same glorious principle.
It was rebuilt by the freebooter who had burnt it down; one Philip
Heredith, a descendant of Philip Here-Deith, whose name is inscribed in
the Domesday Book as one of the knights of the army of Duke William
which had assembled at Dives for the conquest of England. Philip
Heredith, who was as great a fighter as his Norman ancestor, established
his claim to his new estate, and avoided litigation concerning it, by
confining the Royalist owner and his family within the walls of the
moat-house before setting it on fire. He afterwards married and settled
down in the new house with his young wife. But the honeymoon was
disturbed by the ghost of the cavalier he had incinerated, who warned
him that as he had founded his line in horror it would end in horror,
and the house he had built would fall to the ground.
Public-domain text, read in full here on John Shaqi.
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