The Hand-Made Gentleman: A Tale of the Battles of PeaceBacheller, Irving
History
The Hand-Made Gentleman: A Tale of the Battles of Peace
Bacheller, Irving
United States -- History -- 19th century -- Fiction
“There's another thing--I want to open my heart to you,” he said. “I
haven't a brother or sister or friend that I can talk to about certain
matters. The fact is, I'm in love and engaged to be married.”
He paused, and was smoking thoughtfully, as I asked, “To Miss Fame?”
“No; she didn't reciprocate; and maybe it's just as well. I am engaged
to a talented actress by the name of Maud Isabel Manning.”
He paused again as if to note the effect of this impressive name, and
continued: “She's from New York, and beautiful as a dream. Came here
with a show, and one morning she walked into the office. Told me that
she used my toilet soap, and wanted to see the factory. I showed her
about, and fell in love with her. She's a wonder--grand clothes, and
knows how to wear 'em; wonderful education, fine talker, sings like a
bird, and can make the piano roar. I told her about my false leg and
foot and my family--that's worse than a wooden leg--but she doesn't
mind, and we're going to be married.”
I fear that I shared the prejudice of my Puritan fathers against
the stage, and was a little taken aback and a bit conservative in my
comment.
I think he felt it, for he blushed and began to argue, although a little
off the point.
“I think every gentleman ought to marry. There's something about women
that makes a man gentle. Old bachelors are about as ugly as a bear with
a sore head. I want somebody to work for besides myself. I can't love
myself well enough to pay for the struggle. I've got to have somebody
who grows happy as I grow rich, or I wouldn't care for money, upon
my word I wouldn't. Then the Bible says that men should increase and
multiply and replenish the earth.”
I wished him all happiness, and tried to put his mind at ease.
“I am forgetting you in talking of myself--you will want to retire,” he
said, and we closed the office and walked to the inn together.
Next morning some one rapped at my bedroom door. “Who's there?” I
demanded.
“A friend and fellow-citizen from St. Lawrence County,” was the answer,
and I knew it was Pearl.
I opened the door, and there stood my old friend in the familiar goggles
and linen duster, but with his left sleeve empty and a new scar on the
side of his face.
“Mr. Pearl!” I exclaimed; “what's happened to you?”
“Oh, I've just been trimmed up a little,” he said, with a smile, as he
gave me his hand. “It's nothing. Every tree needs it once in a while. I
had too much wood for my sap.”
“An accident?” I asked, with tears in my eyes.
“An accident, an' I'm tryin' to forget it,” said he. “How are the
folks?”
And I saw clearly that he wished me to say no more of his misfortunes.
Soon Mr. McCarthy came, and he and the Pearl went to the shop together.
STAGE VIII.--IN WHICH YOUNG MR. HERON COMES TO A TURN IN THE ROAD
[Illustration: 9221]
FTER breakfast I found the handmade gentleman at his factory, and went
with him into all its departments, and saw a hundred men and women at
work.
Public-domain text, read in full here on John Shaqi.
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