Of the two classes into which gentle young women naturally divide, those
who grow red at their weddings, and those who grow pale, the present one
belonged to the former class. She was an April-natured, pink-cheeked
girl, with eyes that would have made any jeweller in England think of his
trade--one who evidently took her day in the daytime, frequently caught
the early worm, and had little to do with yawns or candlelight. She came
and passed him; he fancied that her countenance changed. But one may
fancy anything, and the pair receded each from each without turning their
heads. He could not speak to her, plain and simple as she seemed.
It is rarely that a man who can be entered and made to throb by the
channel of his ears is not open to a similar attack through the channel
of his eyes--for many doors will admit to one mansion--allowance being
made for the readier capacity of chosen and practised organs. Hence the
beauties, concords, and eloquences of the female form were never without
their effect upon Christopher, a born musician, artist, poet, seer,
mouthpiece--whichever a translator of Nature's oracles into simple speech
may be called. The young girl who had gone by was fresh and pleasant;
moreover, she was a sort of mysterious link between himself and the past,
which these things were vividly reviving in him.
The following week Christopher met her again. She had not much dignity,
he had not much reserve, and the sudden resolution to have a holiday
which sometimes impels a plump heart to rise up against a brain that
overweights it was not to be resisted. He just lifted his hat, and put
the only question he could think of as a beginning: 'Have I the pleasure
of addressing the author of a book of very melodious poems that was sent
me the other day?'
The girl's forefinger twirled rapidly the loop of braid that it had
previously been twirling slowly, and drawing in her breath, she said,
'No, sir.'
'The sender, then?'
'Yes.'
She somehow presented herself as so insignificant by the combined effect
of the manner and the words that Christopher lowered his method of
address to her level at once. 'Ah,' he said, 'such an atmosphere as the
writer of "Metres by E." seems to breathe would soon spoil cheeks that
are fresh and round as lady-apples--eh, little girl? But are you
disposed to tell me that writer's name?'
By applying a general idea to a particular case a person with the best of
intentions may find himself immediately landed in a quandary. In saying
to the country girl before him what would have suited the mass of country
lasses well enough, Christopher had offended her beyond the cure of
compliment.
'I am not disposed to tell the writer's name,' she replied, with a
dudgeon that was very great for one whose whole stock of it was a trifle.
And she passed on and left him standing alone.
Public-domain text, read in full here on John Shaqi.
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