They alighted and went in, Christopher shouldering Faith's harp, and she
marching modestly behind, with curly-eared music-books under her arm.
They were shown into the house-steward's room, and ushered thence along a
badly-lit passage and past a door within which a hum and laughter were
audible. The door next to this was then opened for them, and they
entered.
* * * * *
Scarcely had Faith, or Christopher either, ever beheld a more shining
scene than was presented by the saloon in which they now found
themselves. Coming direct from the gloomy park, and led to the room by
that back passage from the servants' quarter, the light from the
chandelier and branches against the walls, striking on gilding at all
points, quite dazzled their sight for a minute or two; it caused Faith to
move forward with her eyes on the floor, and filled Christopher with an
impulse to turn back again into some dusky corner where every thread of
his not over-new dress suit--rather moth-eaten through lack of feasts for
airing it--could be counted less easily.
He was soon seated before a grand piano, and Faith sat down under the
shadow of her harp, both being arranged on a dais within an alcove at one
end of the room. A screen of ivy and holly had been constructed across
the front of this recess for the games of the children on Christmas Eve,
and it still remained there, a small creep-hole being left for entrance
and exit.
Then the merry guests tumbled through doors at the further end, and
dancing began. The mingling of black-coated men and bright ladies gave a
charming appearance to the groups as seen by Faith and her brother, the
whole spectacle deriving an unexpected novelty from the accident of
reaching their eyes through interstices in the tracery of green leaves,
which added to the picture a softness that it would not otherwise have
possessed. On the other hand, the musicians, having a much weaker light,
could hardly be discerned by the performers in the dance.
The music was now rattling on, and the ladies in their foam-like dresses
were busily threading and spinning about the floor, when Faith, casually
looking up into her brother's face, was surprised to see that a change
had come over it. At the end of the quadrille he leant across to her
before she had time to speak, and said quietly, 'She's here!'
'Who?' said Faith, for she had not heard the words of the coachman.
'Ethelberta.'
'Which is she?' asked Faith, peeping through with the keenest interest.
'The one who has the skirts of her dress looped up with convolvulus
flowers--the one with her hair fastened in a sort of Venus knot behind;
she has just been dancing with that perfumed piece of a man they call Mr.
Ladywell--it is he with the high eyebrows arched like a girl's.' He
added, with a wrinkled smile, 'I cannot for my life see anybody answering
to the character of husband to her, for every man takes notice of her.'
Public-domain text, read in full here on John Shaqi.
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