The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
General
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
The marmoset disappeared--and I became aware of a faint, incense-like
perfume. Where had I met with it before? Nothing disturbed the silence
of the empty house wherein I stood; yet I hesitated for several seconds
to pursue the chase further. The realization came to me that the hole
in the wall communicated with the conservatory of the corner house in
the square, the house with the lighted windows.
Determined to see the thing through, I discarded my overcoat--and
crawled through the gap. The smell of burning perfume became almost
overpowering, as I stood upright, to find myself almost touching
curtains of some semi-transparent golden fabric draped in the door
between the conservatory and the drawing-room.
Cautiously, inch by inch, I approached my eyes to the slight gap in
the draperies, as, from somewhere in the house below, sounded the
clangor of a brazen gong. Seven times its ominous note boomed out. I
shrank back into my sanctuary; the incense seemed to be stifling me.
CHAPTER XXXII
SHRINE OF SEVEN LAMPS
Never can I forget that nightmare apartment, that efreet's hall. It
was identical in shape with the room of the adjoining house through
which I had come, but its walls were draped in somber black and a
dead black carpet covered the entire floor. A golden curtain--similar
to that which concealed me--broke the somber expanse of the end wall
to my right, and the door directly opposite my hiding-place was closed.
Across the gold curtain, wrought in glittering black, were seven
characters, apparently Chinese; before it, supported upon seven ebony
pedestals, burned seven golden lamps; whilst, dotted about the black
carpet, were seven gold-lacquered stools, each having a black cushion
set before it. There was no sign of the marmoset; the incredible room
of black and gold was quite empty, with a sort of stark emptiness that
seemed to oppress my soul.
Close upon the booming of the gong followed a sound of many footsteps
and a buzz of subdued conversation. Keeping well back in the welcome
shadow I watched, with bated breath, the opening of the door
immediately opposite.
The outer sides of its leaves proved to be of gold, and one glimpse of
the room beyond awoke a latent memory and gave it positive form. I had
been in this house before; it was in that room with the golden door
that I had had my memorable interview with the mandarin Ki-Ming! My
excitement grew more and more intense.
Singly, and in small groups, a number of Orientals came in. All wore
European, or semi-European garments, but I was enabled to identify two
for Chinamen, two for Hindus and three for Burmans. Other Asiatics
there were, also, whose exact place among the Eastern races I could
not determine; there was at least one Egyptian and there were several
Eurasians; no women were present.
Public-domain text, read in full here on John Shaqi.
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