The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
General
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
The light showed a large kitchen, with torn wall-paper and decorator's
litter strewn about the floor, a whitewash pail in one corner, and
nothing else.
I climbed in, and, taking from my pocket the Browning pistol without
which I had never traveled since the return of the dreadful Chinaman
to England, I crossed to the door, which was ajar, and looked out into
the passage beyond.
Stifling an exclamation, I fell back a step. Two gleaming eyes stared
straightly into mine!
The next moment I had forced a laugh to my lips ... as the marmoset
turned and went gamboling up the stairs. The house was profoundly
silent. I crossed the passage and followed the creature, which now was
proceeding, I thought, with more of a set purpose.
Out into a spacious and deserted hallway it led me, where my cautious
footsteps echoed eerily, and ghostly faces seemed to peer down upon me
from the galleries above. I should have liked to have unbarred the
street door, in order to have opened a safe line of retreat in the
event of its being required, but the marmoset suddenly sprang up the
main stairway at a great speed, and went racing around the gallery
overhead toward the front of the house.
Determined, if possible, to keep the creature in view, I started in
pursuit. Up the uncarpeted stairs I went, and, from the rail of the
landing, looked down into the blackness of the hallway apprehensively.
Nothing stirred below. The marmoset had disappeared between the
half-opened leaves of a large folding door. Casting the beam of light
ahead of me I followed. I found myself in a long, lofty apartment,
evidently a drawing-room.
Of the quarry I could detect no sign; but the only other door of the
room was closed; therefore, since the creature had entered, it must,
I argued, undoubtedly be concealed somewhere in the apartment.
Flashing the light about to right and left, I presently perceived that
a conservatory (no doubt facing on the square) ran parallel with one
side of the room. French windows gave access to either end of it; and
it was through one of these, which was slightly open, that the
questioning ray had intruded.
I stepped into the conservatory. Linen blinds covered the windows, but
a faint light from outside found access to the bare, tiled apartment.
Ten paces on my right, from an aperture once closed by a square wooden
panel that now lay upon the floor, the marmoset was grimacing at me.
Realizing that the ray of my lamp must be visible through the blinds
from outside, I extinguished it ... and, a moving silhouette against a
faintly luminous square, I could clearly distinguish the marmoset
watching me.
There was a light in the room beyond!
Public-domain text, read in full here on John Shaqi.
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