The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor — John Shaqi
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
General
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
"Walk straight ahead!" he directed, still in the same intense whisper,
"and you will find a locked door having a broken panel. Watch through
the opening for any one who may enter the room beyond, but see that
your presence is not detected. Whatever I say or do, don't stir until
I actually rejoin you."
He stepped back across the floor and was gone. One glimpse I had of
him, silhouetted against the faint light of the open door, then the
door was gently closed, and I was left alone in the empty house.
Smith's methods frequently surprised me, but always in the past I had
found that they were dictated by sound reasons. I had no doubt that an
emergency unknown to me dictated his present course, but it was with
my mind in a wildly confused condition, that I groped for and found
the door with the broken panel and that I stood there in the complete
darkness of the deserted house listening.
I can well appreciate how the blind develop an unusually keen sense of
hearing; for there, in the blackness, which (at first) was entirely
unrelieved by any speck of light, I became aware of the fact, by dint
of tense listening, that Smith was retiring by means of some gateway
at the upper end of the little garden, and I became aware of the fact
that a lane or court, with which this gateway communicated, gave
access to the main road.
Faintly, I heard our discharged cab backing out from the _cul de sac_;
then, from some nearer place, came Smith's voice speaking loudly.
"Come along, Petrie!" he cried; "there is no occasion for us to wait.
Weymouth will see the note pinned on the door."
I started--and was about to stumble back across the room, when, as my
mind began to work more clearly, I realized that the words had been
spoken as a ruse--a favorite device of Nayland Smith's.
Rigidly I stood there, and continued to listen.
"All right, cabman!" came more distantly now; "back to the New Louvre--
jump in, Petrie!"
The cab went rattling away ... as a faint light became perceptible in
the room beyond the broken panel.
Hitherto I had been able to detect the presence of this panel only by
my sense of touch and by means of a faint draught which blew through
it; now it suddenly became clearly perceptible. I found myself looking
into what was evidently the principal room of the house--a dreary
apartment with tatters of paper hanging from the walls and litter of
all sorts lying about upon the floor and in the rusty fireplace.
Some one had partly raised the front window and opened the shutters.
A patch of moonlight shone down upon the floor immediately below my
hiding-place and furthermore enabled me vaguely to discern the disorder
of the room.
A bulky figure showed silhouetted against the dirty panes. It was that
of a man who, leaning upon the window sill, was peering intently in.
Silently he had approached, and silently had raised the sash and
opened the shutters.
Public-domain text, read in full here on John Shaqi.
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