The Hand of the Mighty, and Other Stories — John Shaqi
The Hand of the Mighty, and Other StoriesKester, Vaughan
General
The Hand of the Mighty, and Other Stories
Kester, Vaughan
American fiction -- 20th century; Short stories, American
Las Vegas had been notorious for its wickedness when he first drifted there. For a while he had kept clear of it all, then the experience of a single night had changed the whole after current of his life. Entering one of the gambling hells in search of a friend, he had found him at cards with the bully of the place. He had tried to get him from the room, there had been words, a quarrel, and then all was a blank until he awoke from the delirium of his fear and anger to find himself in the center of the room, beneath the flaring kerosene lamps, with the bully dead in the shadow at his feet.
He lived the years swiftly after that, in a sort of mad, blood-letting frenzy. Every man has friends, and one killing involves other killings. It was not enough that he had killed one bad man; he must keep on killing bad men or else fall himself.
He had preferred to keep on. He speedily acquired a fatal handiness with his weapons, in a few months growing into the strong alert man capable of holding his own against all comers.
He knew, though the change came slowly and almost imperceptibly, that he was none the less surely living toward that day when he would be hunted out of Las Vegas; when the advancing tide of civilization would touch and pause there, and his career would culminate with one murder too many.
He took off his hat to let the wind fan his forehead. It was like the springs he had known in the East.
He seemed to catch the odor of roses and honeysuckle—he remembered his first and only love. Their parting came back to him with vivid minuteness of detail. It had all been infinitely bitter to them, but he was going where a man had a chance, and he would return.
He had scarcely thought of it in years, and now there was only the scent of the flowers and her face rising out of the gray plain before him. She had done her part faithfully and then she had married, to live her days amid the hard commonplaceness of the little eastern village where she was born.
The Bad Man gathered up the reins, which had fallen from his hand to the horn of the saddle, and was about to apply the spur to his horse's flank, when, glancing back over his shoulder, he saw a wagon coming down the trail, the center of a moving cloud of dust. Influenced by a sudden impulse he could not explain, he permitted the reins to fall slack again.
As the wagon came nearer he saw that it was a homesteader's outfit drawn by a single horse that was dark with sweat and dust and flecked here and there with white splotches of foam. A man was driving, and at his back a woman's face was visible.
As the wagon drew up alongside of the Bad Man the homesteader reined in his horse. Las Vegas' questionable hero spoke first. He merely remarked that it was a fine day. The homesteader inspected him narrowly before answering the greeting, then he said—and his tone was one of surly reserve, while his manner was neither easy nor gracious—“It is a fine day.”
Public-domain text, read in full here on John Shaqi.
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