In any references to authorities, that it may appear desirable for me to make in the course of this and the following chapters, I must be as concise as possible. A direct reference to Seals, Effigies, &c., will be necessary in each case: but, in referring to Rolls of Arms, it will be sufficient to denote the period of the authority in general terms. Accordingly, I shall refer, not to each particular Roll, but collectively to those of each of the following reigns--HENRY III., EDWARD I., EDWARD II., EDWARD III., and RICHARD II.; and these references will severally be made thus,--(H. 3), (E. 1), (E. 2), (E. 3), and (R. 2). Amongst the earliest Shields and Banners of Arms, all of them remarkable for their simplicity, many are found to be without any device whatever, their distinction consisting simply in some peculiarity in the colouring. Such examples may be considered to have been derived from pre-heraldic times, and transmitted, without any change or addition, to later periods. The renowned Banner of the Knights Templars, by them called _Beauseant_, No. 13, is black above and white below, which is said to have denoted that, while fierce to their foes, they were gracious to their friends. An ancient Banner of the Earl of Leicester (H. 3) is white and red, the division being made by a vertical indented line; No. 14. This design, however, was not the coat of arms of the earl. The Shield of the ducal House of Brittany, closely connected with the Royal Family of England, is simply of the fur ermine; No. 15. The Shield of Waldegrave is silver and red, as in No. 16: and that of Fitz Warine (H. 3), also of silver and red, is treated as in No. 17. [Illustration: No. 13.--Banner of Templars.] [Illustration: No. 14.--Banner of Leicester.] [Illustration: No. 15.--Brittany.] [Illustration: No. 16.--Waldegrave.] [Illustration: No. 17.--Fitz Warine.] [Illustration: No. 18.--Shield at Whitworth.] Some of the earliest of the simple devices of true Heraldry were evidently adopted from the _structural formation_ (or from a _structural strengthening_) of the Shields, on which they were displayed. Thus, a raised border, and bands of metal variously disposed in order to impart additional strength to a shield, with distinct colouring, would produce a series of heraldic compositions. A good example occurs in the shield of an early Effigy at Whitworth, Durham, No. 18, in which the heads of the rivets or screws employed to fix the border on the shield, appear to have been made to assume the character of heraldic additions to the simple border and horizontal bands. Other primary devices of the same simple order, which in like manner may have had a structural origin, I shall consider in detail in subsequent chapters. (See particularly Chapter VI.)