Betrothal -- Fiction; Courtship -- Fiction; Middle West -- Fiction; United States -- Social life and customs -- Fiction
Marley was standing with Lavinia near the door. He was trying to affect
an ease; he knew by the way the other girls glanced at him now and then
that they were speculating on his possibilities as a partner; he tried
just then to look as if he were going to dance as all the other men
were, yet he felt the necessity of confessing to Lavinia.
"You know," he said contritely, "that I don't dance."
She looked up, a disappointment springing to her eyes too quickly for
her to conceal it. She was flushed with pleasure and excitement, and
tapping her foot in time with the chords Payson and Gallard were trying
on their instruments. Marley saw her surprise.
"I ought not to have come," he said; "I've no business here."
The look of disappointment in Lavinia's eyes had gone, and in its place
was now an expression of sympathy.
"It makes no difference," she said. And then she added in a low voice:
"I'll not dance either; there are too many of us girls anyway."
"Oh, don't let me keep you from it," said Marley, and yet a joy was
shining in his eyes. She turned away and blushed.
"I'll give you all my dances," she said; "we can sit them out."
"But it won't be any fun for you," protested Marley. And just then
Lawrence came up.
"Say, Glenn," he said, "if you don't want to dance I'll take Lavinia for
the first number."
The guitar and mandolin, after a long preliminary strumming to get
themselves in tune, suddenly burst into _The Georgia Campmeeting_, and
the couples were instantly springing across the floor.
"Come on, Vine," said Lawrence, his fingers twitching. And Lavinia,
eager, trembling, alive, casting one last glance at Marley, said "Just
this one!" and went whirling away with Lawrence.
Marley moved aside, awkwardly, when the couples, sweeping in a long oval
stream around the little room, whirled past him. Lavinia danced with a
grace that almost hurt him; she was laughing as she looked up into
Lawrence's face, talking to him as they danced. Marley felt a gloom,
almost a rage, settle on him. He looked up and down the room. At the
farther end, through the door by which the musicians sat swinging their
feet over their knees in time to the tune they played, he could see the
man who kept the grounds at the lake, looking on at the dance; his wife
was with him, and they smiled contentedly at the joy of the young
people.
Public-domain text, read in full here on John Shaqi.
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