Betrothal -- Fiction; Courtship -- Fiction; Middle West -- Fiction; United States -- Social life and customs -- Fiction
"Billy was in the bank to-day," Lawrence went on, speaking to Captain
Carter. "He said your wheat was ready to cut. Did you get Foose all
right?"
"Yes," said the captain, "he'll give me next week."
"Do you have to board the threshers?"
"No, not this year; they bring along their own cook, and a tent and
everything."
"Je-rusalem!" exclaimed Lawrence. "Things _are_ changing in these days,
ain't they? Harvesting ain't as hard on the women-folks as it used to
be."
"No," said the captain, "but I pay for it, so much extra a bushel."
His head shook regretfully, but he would have lost his regrets in
telling of the time when he had swung a cradle all day in the harvest
field, had not Mrs. Carter's voice just then been heard calling up the
stairs:
"Mayme!"
"Whoo!" answered a high, feminine voice.
"Come down. There's some one here to see you."
Mrs. Carter turned into the parlor, and the tall windows that opened to
the floor of the veranda burst into light.
"She'll be right down, John," said Mrs. Carter, appearing in the door.
"You give me your hats and go right in."
"All right," said Lawrence, and he got to his feet. "Come on, Glenn."
Mrs. Carter took the hats of the young men and hung them on the rack,
where they might easily have hung them themselves. Then she went back to
the veranda, letting the screen door bang behind her, and Lawrence and
Marley entered the parlor. Marley took his seat on one of the haircloth
chairs that seemed to have ranged themselves permanently along the
walls, and Lawrence went to the square piano that stood across one
corner of the room, and sat down tentatively on the stool, swinging from
side to side.
Marley glanced at the pictures on the walls. One of them was a steel
engraving of Lincoln and his cabinet; another, in a black oval frame,
portrayed Captain Carter in uniform, his hair dusting the strapped
shoulders of a coat made after the pattern that seems to have been worn
so uncomfortably by the heroes of the Civil War. There was, however, a
later picture of the captain, a crayon enlargement of a photograph, that
had taken him in civilian garb. This picture, in its huge gilt frame,
was the most aggressive thing in the room, except, possibly, the walnut
what-not. Marley had a great fear of the what-not; it seemed to him that
if he stirred he must topple it over, and dash its load of trinkets to
the floor. Presently he heard the swish of skirts. Then a tall girl came
in, and Lawrence sprang to his feet.
"Hello, Mayme. What'd you run for?" he said.
He had crossed the room and seized the girl's hand. She flashed a rebuke
at him, though it was evident that the rebuke was more out of deference
to the strange presence of Marley than for any real resentment she felt.
"This is my friend, Mr. Marley, Miss Carter," Lawrence said. "You've
heard me speak of him."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account