He stopped at the first crossing and saw before him a row of tall brick
houses, built solidly and set behind small yards and a low iron fencing.
They had shallow porticoes with iron grilling, and at this end a
towering magnolia tree swept its new glossy greenery against the
third-story windows.
“Linden Row,” he muttered. “Well--Number Two?”
He swung back a creaking gate and went up a flight of bricked steps to
the door. He had guessed right; above a brass knocker filmed with the
floating muck of the air he saw the numeral, Two, painted beneath the
fanlight. The windows on the left were blank, curtained. The house rose
silent and without a mark of life above the obscene clamor of the city.
He knocked sharply and waited; then he knocked again. Nothing broke the
stillness of the façade, the interior. He tried the door, but it was
solidly barred. Then a second fact, a memory, joined the bare location
in his brain. It was a name--Rose--Rosemary Roselle. He beat with an
emaciated fist on the paneling and called, “Roselle! Roselle!”
There was a faint answering stir within; he heard the rattle of a chain;
the door swung back upon an apparently empty and cavernous cool hall.
VI
A colored woman, in a crisp white turban, with a strained face more gray
than brown, suddenly advanced holding before her in both hands a heavy
revolver of an outworn pattern. Elim Meikeljohn could see by her drawn
features that she was about to pull the trigger, and he said fretfully:
“Don't! The thing will explode. One of us will get hurt.” She closed
her eyes, Elim threw up his arm, and an amazingly loud report crashed
through the entry. He stood swaying weakly, with hanging palms, while
the woman dropped the revolver with a gasp. Elim Meikeljohn began to cry
with short dry sobs.... It was incredible that any one should discharge
a big revolver directly at his head. He sank limply against a chest at
the wall.
“Oh, Indy!” a shaken voice exclaimed. “Do you think he's dying?” The
colored woman went reluctantly forward and peered at Elim. She touched
him on a shoulder.
“'Deed, Miss Rosemary,” she replied, relieved and angry, “that shot
didn't touch a hair. He's just crying like a big old nothing.” She
grasped him more firmly, gave him a shake. “Dressed like a soldier,” she
proceeded scornfully, “and scaring us out of our wits. What did you want
to come here for anyhow calling out names?”
Elim's head rolled forward and back. The hall seemed full of flaming
arrows, and he collapsed slowly on the polished floor. He was moved; he
was half-conscious of his heels dragging upstairs, of frequent pauses,
voices expostulating and directing thinly. Finally he sank into a
sublimated peace in, apparently, a floating white cloud.
Public-domain text, read in full here on John Shaqi.
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