He awoke refreshed, mentally clear, but absurdly weak--he was lying in
the middle of a four-posted bed, a bed with posts so massive and tall
that they resembled smooth towering trees. Beyond them he could see
a marble mantel; a grate filled with softly smoldering coals, and a
gleaming brass hod; a highboy with a dark lustrous surface; oval gold
frames; and muslin curtains in an open window, stirring in an air that
moved the fluted valance at the top of the bed. It was late afternoon,
the light was fading, the interior wavering in a clear shadow filled
with the faint fat odor of the soft coal.
The immaculate bed linen bore an elusive cool scent, into which he
relapsed with profound delight. The personality of the room, somber and
still, flowed about him with a magical release from the inferno of
the past years, the last hours. He heard a movement at a door, and the
colored woman in the white turban moved to the side of the bed.
“I told her,” she said in an aggrieved voice, “there wasn't nothing at
all wrong with you. I reckon now you're all ready to fight again or eat.
Why did you stir things all up in Richmond and kill good folks?”
“To set you free!” Elim Meikeljohn replied.
She gazed at him thoughtfully.
“Capt'n,” she asked finally, “are you free?”
“Why, certainly----” he began, and then stopped abruptly, lost in the
memory of the dour past. He recalled his father, with a passion for
learning, imprisoned in the narrow poverty of his circumstances and
surroundings; he remembered Hester, with her wishful gaze in the
confines of her invalid chair; his own laborious lonely days. Freedom,
a high and difficult term, he saw concerned regions of the spirit not
liberated--solved--by a simple declaration on the body. The war had been
but the initial, most facile step. The woman had silenced his sounding
assertion, humiliated him, by a word. He gazed at her with a new, less
confident interest. The mental effort brought a momentary recurrence of
fever; he flushed and muttered: “Freedom ... spirit.”
“You're not as wholesome as you appeared,” the woman judged. “You can't
have nothing beside a glass of milk.” She crossed the room and, stirring
the fire, put on fresh coal that ignited with an oily crackle. Again at
the door she paused. “Don't you try to move about,” she directed; “you
stay right in this room. Mr. Roselle, he's downstairs, and Mr. McCall,
and--” her voice took on a faint insistent note of warning. He paid
little heed to her; he was lost in a wave of weariness.
The following morning, stronger, he rose and tentatively trying the
door found it locked. The colored woman appeared soon after with a
tray which, when he had performed a meager toilet, he attacked with a
pleasant zest.
“The city's just burning right up,” she informed him, standing in the
middle of the floor; “the boats on the river caught fire and their
camions banged into Canal Street.” She had a pale even color, a straight
delicate nose and sensitive lips.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account