He left the mail with Ettie at his door and rode on, turning for the
first time in nine years into the narrow valley of the Braleys' home.
The place had been neglected until it was hardly distinguishable from
the surrounding tangled wild. Such sheep as he saw were in wretched
condition, wild and massed with filth and burrs.
Mrs. Braley was filling a large glass flask with hot water for her
husband; and to Calvin's surprise a child with a quantity of straight
pale-brown hair and wide-opened hazel-brown eyes was seated in the
kitchen watching her.
“How is Richmond?” he asked, his gaze straying involuntarily to the
girl.
“Kingdom Come's how he is,” Lucy Braley replied. “Yes, and the poorhouse
will end us unless Hosmer has a spark of good feeling. I sent him
a postal card to come a long while back, but he hasn't so much as
answered. Here, Lucy”--she turned to the child--“run up with this.”
“Lucy?” Calvin Stammark asked when they were alone.
“Been here two weeks,” Mrs. Braley told him. “What will become of her's
beyond me. She is Hannah's daughter, and Hannah is dead.”
There was a sharp constriction of Calvin's heart. Hannah's daughter, and
Hannah was dead!
“As far as I know,” the other continued in a strained metallic voice,
“the child's got no father you could fix. Her mother wrote the name was
Lucy Vibard, and she'd called her after me. But when I asked her she
didn't seem to know anything about it.
“Hannah was alone and dog poor when she died, that's certain. Like
everything else I can lay mind on she came to a bad end--Lord reckons
where Phebe is. I always thought you were weak fingered to let Hannah
go--with that house built and all. I suppose maybe you weren't, though;
well out of a slack bargain.”
Calvin Stammark scarcely heard her; his being was possessed by the
pitiable image of Hannah dying alone and dog poor. He had always
pictured her--except in the fleet vision of debasement--as young and
graceful and disturbing. Without further speech he left the kitchen and
crossed the house to the shut parlor. It was screened against the day,
dim and musty and damp. The orange plush of the chairs and the narrow
uncomfortable sofa, carefully dusted, was as bright as it had been when
he had last seen it--was it ten years ago?
Here she had stood, her fingers tapping on the table, when he had made
the unfortunate remark about Phebe; the lamplight had illuminated her
right cheek. Here she had proclaimed her impatience with Greenstream,
with its loneliness, her hunger for life. Here he had lost her. A
sudden need to see Hannah's daughter invaded him and he returned to the
kitchen.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account