The harmony wavered and sank, and out of the shuddering silence that
followed Lemuel Doret turned again from the city.
THE FLOWER OF SPAIN
I
From the window of the drawing-room Lavinia Sanviano could see, on the
left, the Statue of Garibaldi, where the Corso Regina Maria cut into the
Lungarno; on the right, and farther along, the gray-green foliage of the
Cascine. Before her the Arno flowed away, sluggish and without a wrinkle
or reflection on its turbid surface, into Tuscany. It was past the
middle of afternoon, and a steady procession of carriages and mounted
officers in pale blue tunics moved below toward the shade of the
Cascine.
Lavinia could not see this gay progress very well, for the window--it
had only a narrow ledge guarded by an iron grille--was practically
filled by her sister, Gheta, and Anna Mantegazza. Occasionally
she leaned forward, pressed upon Gheta's shoulder, for a hasty
unsatisfactory glimpse.
“You are crushing my sleeves!” Gheta finally and sharply complained.
“Do go somewhere else. Anna and I want to talk without your young ears
eternally about. When do you return to the convent?”
Lavinia drew back. However, she didn't leave. She was accustomed to her
sister's complaining, and--unless the other went to their father--she
ignored her hints. Lavinia's curiosity in worldly scenes and topics was
almost as full as her imagination thereof. She was sixteen, and would
have to endure another year of obscurity before her marriage could be
thought of, or she take any part in the social life where Gheta moved
with such marked success.
But, Lavinia realized with a sigh, she couldn't expect to be pursued
like Gheta, who was very beautiful. Gheta was so exceptional that she
had been introduced to the Florentine polite world without the customary
preliminary of marriage. She could, almost every one agreed, marry very
nearly whomever and whenever she willed. Even now, after the number of
years she had been going about with practically all her friends wedded,
no one seriously criticized the Sanvianos for not insisting on a match
with one of the several eligibles who had unquestionably presented
themselves.
Gheta was slender and round; her complexion had the flawless pallid
bloom of a gardenia; her eyes and hair were dark, and her lips an
enticing scarlet thread. Perhaps her chin was a trifle lacking in
definition, her voice a little devoid of warmth; but those were
minor defects in a person so precisely radiant. Her dress was always
noticeably lovely; at present she wore pink tulle over lustrous gray,
with a high silver girdle, a narrow black velvet band and diamond clasp
about her delicate full throat.
Public-domain text, read in full here on John Shaqi.
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