Later, Gheta departed for a ball, together with the Marchese
Sanviano--to be dropped at his club--and Lavinia was left alone. The
scene in the court was repeated, but with less flourish than earlier in
the evening. Gheta would be nominally in the charge of Anna Mantegazza;
but Lavinia knew how laxly the American would hold her responsibility.
She wished, moving disconsolately under high painted ceilings through
the semi-gloom of still formal chambers, that she was a recognized
beauty--free, like Gheta.
The drawing-room, from which they had watched the afternoon procession,
was in complete darkness, save for the luminous rectangle of the window
they had occupied. Its drapery was still disarranged. Lavinia crossed
the room and stood at the grille. The lights strung along the river,
curving away like uniform pale bubbles, cast a thin illumination over
the Lungarno, through which a solitary vehicle moved. Lavinia idly
watched it approach, but her interest increased as it halted directly
opposite where she stood. A man got quickly out--a lithe figure with a
broad-brimmed hat slanted across his eyes. It was, she realized with
an involuntary quickening of her blood, Abrego y Mochales. A second
man followed, tendered him a curiously shaped object, and stood by
the waiting cab while the bull-fighter walked deliberately forward. He
stopped under the window and shifted the thing in his hands.
A rich chord of strings vibrated through the night, another followed,
and then a brief pattern of sound was woven from the serious notes of
a guitar. Lavinia shrank back within the room--it was, incredibly, a
serenade on the stolid Lungarno. It was for Gheta! The romance of the
south of Spain had come to life under their window. A voice joined
the instrument, melodious and melancholy, singing an air with little
variation, but with an insistent burden of desire. The voice and the
guitar mingled and fluctuated, drifting up from the pavement exotic and
moving. Lavinia could comprehend but little of the Spanish:
_“I followed through the acacias,
But it was only the wind.
.... looked for you beyond the limes----“_
The thrill at her heart deepened until tears wet her cheeks. It was for
Gheta, but it overwhelmed Lavinia with a formless and aching emotion;
it was for Gheta, but her response was instant and uncontrollable. It
seemed to Lavinia that the sheer beauty of life, which had moved her
so sharply, had been magnified unbearably; she had never dreamed of the
possibilities of such ecstasy or such delectable grief.
Public-domain text, read in full here on John Shaqi.
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