They progressed from room to room, thoroughly exploring the dense throng
about the auctioneer, but without finding either Gheta, Anna Mantegazza
or the bull-fighter.
“I can't think how she could have forgotten me!” Lavinia declared with
increasing annoyance. “It's clear that they have all gone.”
“Don't agitate yourself,” Cesare Orsi begged. “Sanviano will be
absolutely contented to have you in my care. I am delighted. You shall
go home directly in my carriage.” He conducted her, with a show of form
that in any one else or at another time she would have enjoyed hugely,
to the street, where he handed her into an immaculately glossy and
corded victoria, drawn by a big stamping bay, and stood with his hat off
until she had rolled away.
It was comfortable in the luxuriously upholstered seat and, in spite of
herself, Lavinia sank back with a contented sigh. There was in its case
a gilt hand mirror, into which she peered, and a ledge that pulled out,
with a crystal box for cigarettes and a spirit lighter. The Sanvianos
had only a landaulet, no longer in its first condition; and Lavinia
wondered why Gheta, who adored ease, had been so long in securing for
herself such comforts as Orsi's victoria.
They swept smoothly on rubber tires into the Lungarno and rapidly
approached her home. The carriage stopped before the familiar white
façade, built of marble in the pseudo-severity of the early nineteenth
century, and the porter swung open the great iron gate to the courtyard.
Lavinia mounted the square white shaft of the stairs to the Sanvianos'
floor with a deepening sense of injury. She would make it plain to Gheta
that she was no longer a child to be casually overlooked.
A small room, used in connection with the dining room for coffee and
smoking, gave directly on the hall; there she saw her father sitting,
with his hat still on, his face stamped with an almost comical dismay,
and holding an unlighted cigar.
“Gheta left me at the Guarinis',” Lavinia halted impetuously. “If it
hadn't been for Signor Orsi I shouldn't be here yet; I was completely
ignored.”
“Heavens!” her father exclaimed, waving her away. “Another feminine
catastrophe! Go to your sister and mother. My head is in a whirl.”
Her mother, then, had returned. She went forward and was suddenly
startled by hearing Gheta's voice rise in a wail of despairing misery.
She hurried forward to her sister's room. Gheta, fully dressed, was
prostrate, face down, upon her bed, shaken by a strangled sobbing that
at intervals rose to a thin hysterical scream. The Marchesa Sanviano,
still in her traveling suit and close-fitting black hat, sat by
her elder daughter's side, trying vainly to calm the tumult. In the
background the maid, her face streaming with sympathetic tears, was
hovering distractedly with a jar of volatile salts.
“Mamma,” Lavinia demanded, torn by extravagant fears, “what has
happened?”
The marchesa momentarily turned a concerned countenance.
Public-domain text, read in full here on John Shaqi.
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