As we went under the bridge of the embankment I thought we must have
missed the Morgans’ old house. I wondered if it could have been that
last and best farmhouse, heavy and square, that stood back, beyond a
green field as level as a pool and three chestnut-trees. Horses were
sheltering from the sun under the trees, their heads to the trunks. The
cows had gone to the shade of the house, and were all gazing motionless
towards the impenetrable gloom of the windows. The barns, sheds,
and lodges, were in themselves a village. The last outhouse almost
touched the road, a cart-lodge shadowy and empty but for a waggon with
low sides curving up forward like the bows of a boat, and itself as
delicate as a boat, standing well up on four stout, not ponderous,
wheels, and bearing a builder’s name from East Stour in Dorset. Now
this house and its appurtenances I thought entirely suitable to the
Morgans, and my thoughts returned to them as we went under the bridge.
Well, and there was the house we were making for, at the foot of the
embankment on the other side. It solved a small mystery at once. Our
road, before coming to the railway, had cut through a double avenue
of limes, which appeared to start at the embankment and terminate a
quarter of a mile away at the top of a gentle rise. They were fine
trees, many of them clouded with bunches of mistletoe as big as herons’
nests. What was the meaning of the avenue? At neither end was a house
to be seen. But, there, at the foot of the embankment, separated from
it by two pairs of limes, was the house belonging to the avenue--the
Morgans’ house, New House by name. The railway had cut through its
avenue; a traveller passing could easily have thrown a stone into any
one of the chimneys of New House.
A weedy track led out of the road on the right, along under the
embankment, up to the house. No smoke rose up from it, not a sound
came from the big square windows, or the door between its two pairs of
plain stone columns, or the stable on one hand or the garden on the
other. The sun poured down on it; it did not respond. It looked almost
ugly, a biggish, awkward house, neither native nor old, its walls
bare and weathered without being mellowed. In a window, facing anyone
who approached it from the road, it announced that it was “To be let
or sold” through a firm of solicitors in London. The flower borders
were basely neglected, yet not wild. Cows had broken in.... It was an
obvious stranger, and could only have seemed at home on the main road a
little way out of some mean town. It was going to the dogs unlamented.
Public-domain text, read in full here on John Shaqi.
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