As we were opening the door a cottage woman attached herself to us,
eager, as it proved, to be the first villager to enter since the
Morgans, “the foreigners,” had departed. The railway embankment, as
she explained, had driven them out, cut off the sun, and kept away new
tenants. She left no corner unexplored, sometimes alleging some kind
of service to us, but as a rule out of unashamed pure delight, talking
continually either in comment on what was there, or to complete the
picture of the Morgans, as seen or invented during those twelve months
of their residence.
They were foreigners, she said, who talked and sang in a foreign
language, but could speak English when they wanted to. They were not
rich, never entertained. Such ill-behaved children.... No, there was
nothing against them; they didn’t owe a penny.... She admired the big
rooms downstairs, with pillared doorways and mantelpieces--they had
a dingy palatial air. In the same rooms with the shiny columns were
broad, blackened, open fire-places, numerous small irregular cupboards,
cracked and split. Walls and doors were undoubtedly marked by arrows
and pistol-shot; someone had drawn a target in a corner--“Master
Roland,” said the woman. “He was a nice lad, too; or would have been if
he had been English.” The spider-webs from wall and ceiling might have
been as old as the house. “The maids had too much to do, playing with
all those children, to keep the place clean. Ignorant those children
were, too. I asked one of the little ones who was the Queen, and he
said ‘Gwenny....’ I don’t know ... some Jerusalem name that isn’t in
the history books.... I asked an older one what was the greatest city
in the world, and he said ‘Rome.’ They were real gentry, too. But
there was something funny about them. One of them came running into my
shop once and said to me, ‘I’ve found the dragon, Mrs Smith. Come and
see--I’ll protect you. He has four horns of ebony, two long and two not
so long, and two big diamond eyes a long way from his horns. He has a
neck as thick as his body, but smooth; his body is like crape. He has
no legs, but he swims over the world like a fish. He is as quiet as an
egg.’ And he took me down the road and showed me a black slug such as
you tread on by the hundred without so much as knowing it. They had no
more regard for the truth than if they were lying....
Public-domain text, read in full here on John Shaqi.
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