These six attracted every energetic or discontented boy in the
neighbourhood. Abercorran House was as good as a mountain or a
sea-shore for them, and was accessible at any hour of the day or
night, “except at breakfast time,” said Mr Stodham--for there was no
breakfast-time. Mr Stodham was a middle-aged refugee at Abercorran
House, one for whom breakfast had become the most austere meal of
the day, to be taken with a perfectly adjusted system of times and
ceremonies, in silence, far from children and from all innovation,
irregularity, and disorder. Therefore the house of the Morgans was
for him the house that had no breakfast-time, and unconsciously he
was seeking salvation in the anarchy which at home would have been
unendurable. Mr Stodham was not the only client who was no longer a
boy, but he and the few others were all late converts; for, as I have
mentioned, boys forsook Abercorran House as they grew up. Parents,
too, looked foul-favouredly on the house. The family was irregular,
not respectable, mysterious, in short unprofitable. It may have got
about that when Mr Morgan once received a fountain-pen as a gift, he
said he did not want any of “your damned time-saving appliances.” Of
course, said he, some people could not help saving time and money--let
them--they were never clever enough to know what to do with them,
supposing that their savings were not hidden out of their reach like
their childhood--but it had not occurred to him to do either, so he
gave the pen to the little milk-boy, advising him to give it away
before it got a hold on him. This child had delighted Mr Morgan by
coming up the street every day, singing a filthy song. It was a test of
innocence, whether the words of it did or did not make the hearer wish
that either he or the singer might sink instantaneously into the earth.
Mr Morgan did not like the song at all. The words were in no way better
than those of a bad hymn, nor was the tune. But he liked what he called
the boy’s innocence. Ophelia only sang “By Gis and by Saint Charity”
under cover of madness. At the worst this boy made no pretence. Mr
Morgan argued, probably, that one who had such thoughts would not have
the impudence to sing so except to a select audience; he had no doubt
of this when the boy sang it once on being asked to in the Library.
I do not know what happened, beyond this, that Mr Morgan looked as
if he had been crying, and the boy never sang it again. If this got
about, few could think any better of the Morgans at Abercorran House.
Moreover, the window frames and doors were never painted, and the
front gate remained upright only because it was never closed; and on
any sunny day a man passing down the lane was sure of hearing men and
boys laughing, or Jessie singing, and dogs barking or yawning, pigeons
courting, over the fence.
CHAPTER V
AURELIUS, THE SUPERFLUOUS MAN
Public-domain text, read in full here on John Shaqi.
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