Next, Robinson Crusoe, Grimm’s Fairy Tales, the Iliad, a mass of
almost babyish books, tattered and now never touched, and lastly The
Adventures of King Arthur and the Round Table. I heard the Lady of the
Lake say to Merlin (who had a face like Aurelius) “Inexorable man, thy
powers are resistless”: moonlit waters overhung by mountains, and crags
crowned by towers, boats with mysterious dark freight; knights taller
than Roland, trampling and glittering; sorceries, battles, dragons,
kings, and maidens, stormed or flitted through my mind, some only as
words and phrases, some as pictures. It was a shadow entertainment,
with an indefinable quality of remoteness tinged by the pale Arthurian
moonlight and its reflection in that cold lake, which finally suggested
the solid comfort of tea at my aunt’s house, and thick slices, “cut
ugly,” of the doughy cake.
At this point Jessie came in to say that tea was ready. “So am I,” said
I, and we raced downstairs. Jessie won.
CHAPTER VIII
ABERCORRAN AND MORGAN’S FOLLY
Once or twice I joined Philip on a holiday in Wales, but not at
Abercorran. It was years later that I found myself by chance at
Abercorran and saw enough of it to spoil somewhat the beautiful
fantastic geography learned from a thousand references by Philip,
Jessie, and old Ann. The real place--as it may be seen by anyone who
can pay the railway fare--is excellent, but I think I should never have
gone there had I foreseen its effect on that old geography. Having
seen the place with these eyes I cannot recover perfectly the original
picture of the castle standing at the meet of two small rivers and
looking over their wide estuary, between the precipices of enormous
hills, to the sea; the tiny deserted quay, the broken cross on the open
space glistening with ever-renewed cockle shells, below the castle; the
long, stately street leading from the church down to the castle, named
Queen Street because an English queen once rode down it; the castle
owls and the inexhaustible variety and the everlasting motion of the
birds of the estuary. To see it as the Morgans once made me see it you
must be able to cover the broad waters with glistening white breasts,
at the same moment that its twin precipices abide in gloom that has
been from the beginning; you must hear an undertone of the age of
Arthur, or at least of the great Llewelyn, in the hoots of the castle
owls, and give a quality of kingliness to a street which has a wide
pavement on one side, it is true, but consists for the most part of
cottages, with a castle low down at one end, and at the other a church
high up.
Public-domain text, read in full here on John Shaqi.
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