Abner grabbed his camera and jumped nimbly down on the barge, where he took the baby's picture, with the amused crowd for a background. "The kid's name," he remarked on his return, "is Violetta Rosy. She was born at two a. m. at Pier Forty-nine." He was silent for a moment and then went on sententiously, "Think what it'll mean to her, through all the storm and stress of life, to be able to look fondly back upon the dear old homestead. There's a punch to Violetta. Better run her in." "I will," I said. "And that little thing of mine," he queried modestly, "about the dear old homestead." "I've got it," I replied. "I hand quite a few little things to writers," Ab continued cheerfully. "If you'll just give me some idea of what it is you're looking for----" "I'm looking for the punch," I answered promptly. "Then we'll get on fine," he said. "The editor got me worried some. He said you'd trained in Paris." "Oh, that was only a starter," I told him. Presently he went into the dockshed on his unending quest of "the punch." And left to myself I got thinking. What did Paris know about us? De Maupassant's methods wouldn't do here. I noticed two painters in overalls at work on that large freighter. With long brooms that they held in both hands they were slapping a band of crude yellow paint along her scarred and rusted side. That was what I needed, the broom! All at once the harbor took hold of me hard. And exulting in its bigness, the bold raw splattering bigness of my native Yankee land, "Now for some glory stories," I said. I went into the dockshed, and there I stayed right through until night, till my mind was limp and battered from the rush of new impressions. For in this long sea station, under the blue arc-lights, in boxes, barrels, crates and bags, tumbling, banging, crashing, came the products of this modern land. You could feel the pulse of a continent here. From the factories, the mines and mills, the prairies and the forests, the plantations and the vineyards, there flowed a mighty tide of things--endlessly, both day and night--you could shut your eyes and see the long brown lines of cars crawl eastward from all over the land, you could see the stuff converging here to be gathered into coarse rope nets and swept up to the liners. The pulse beat fast and furious. In gangs at every hatchway you saw men heaving, sweating, you heard them swearing, panting. That day they worked straight through the night. For the pulse kept beating, beating, and the ship must sail on time!