The Harim and the Purdah: Studies of Oriental WomenCooper, Elizabeth
Religion
The Harim and the Purdah: Studies of Oriental Women
Cooper, Elizabeth
East Asia -- Social life and customs; Women -- East Asia
The lot of the widowed woman in India is not so pitiable if she has been
so fortunate as to have borne sons. In India, as in all Eastern
countries, filial piety, the respect for parents, is bred into the very
fibre of the man’s soul. When the mother becomes a widow and dons the
gown of white, her son cares for her and cherishes her all her days. She
is still the ruler of his household, and it would be a most unfilial
son, on whom his world would soon cry shame, if he did not ask the
advice of his mother on matters of importance, nor heed her warnings in
times of stress. Her whole life is given for others, as this world is
supposed to have no joys for her except the joy of service. For her
“this world is but a dream: God alone is real”; and her days are passed
in caring for the many lives around her and in prayers and religious
rites that will help her to more swiftly pass the time ere she may join
her lost one. The woman of India who has lost her mate turns
instinctively to the gods for solace, because she has been taught from
childhood that “the religion of the wife lies in serving her husband:
the religion of the widow lies in serving God.”
CHAPTER X
HYDERABAD AND THE MOHAMMEDAN WOMAN
The city of Hyderabad seems to have been dropped to the earth from an
Oriental dream. It is the most Eastern city in this most Eastern land,
and you are filled with a sense that it is not at all real, but
especially staged and set for your amusement, and when you leave, it
will all disappear. The gaily painted shops will be pulled down and put
in the property-room, the goldsmiths who make the bracelets, nose-rings,
and necklaces for the pretty, dark-eyed women within the zenanas is only
waiting for his cue to leave the stage. The men on the corners with
their great wreaths of white flowers, with their marigolds and garlands
to be hung about the necks of friends, or to curtain the doorways at
some feast or wedding, are there only for show, to add colour to the
picture. These women passing by with saris of purple or crimson, with
gleaming bracelets and tinkling anklets, with kohl-blackened eyes that
stare at you wonderingly from above the closely drawn sari, or, what is
more peculiar to visitors from the West, the women draped in long white
cloaks like winding-sheets, which cover them completely from the view of
the passer-by, seem part of the chorus; and the sheen of knives and guns
and huge silver chains hanging over the shoulder of the man from the
North, the elephant swaying slowly down the street, looking with keen,
twinkling eyes at the people who make way for him, are all a part of the
pantomime, or a mirage caused by the brilliant sunshine of this
Southland.
[Illustration:
A CARRIAGE FOR WOMEN.
To face p. 154.]
Public-domain text, read in full here on John Shaqi.
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