The Harris-Ingram ExperimentBolton, Charles E. (Charles Edward)
Science
The Harris-Ingram Experiment
Bolton, Charles E. (Charles Edward)
Science fiction, American
The decks are drenched, great waves pound the forward deck and life-boats
are broken from their moorings. Battened hatches imprison below a
regiment of souls, some suffering the torments of stomachs in open
rebellion, others of heads swollen, while others lose entire control
of an army of nerves that center near and drive mad the brain.
To the uninitiated, words are powerless to reveal the torments of the
imprisoned in a modern steel inquisition, rocking and pitching at the
mercy of mighty torrents in a mid-ocean cyclone. Mephistopheles, seeking
severest punishment for the damned, displayed tenderness in not adopting
the super-heated and sooted pits where stokers in storms at sea are
forced to labor and suffer.
All that terrible second day and night at sea, the Harrises and others
tossed back and forth in their unstable berths, some suffering with
chills and others with burning heat. Some, Mrs. Harris and daughter among
them, lay for hours more dead than alive, their wills and muscles utterly
powerless to reach needed and much coveted blankets.
The dining saloon was deserted except by a few old sea-travelers. Before
dinner, Leo ventured above and for a moment put his head outside. The
gale blowing a hundred miles an hour hit him with the force of a club.
When he went below to see Alfonso, his face was pale, and his voice
trembled as he said, "Harris, before morning we shall all sink to the
bottom of the Atlantic with the 'Majestic' for our tomb." Half undressed,
Leo dropped again into his berth where he spent a miserable night.
CHAPTER VI
HALF-AWAKE, HALF-ASLEEP
Few persons find life enjoyable in a great storm at sea, for the
discomfitures of mind and body are many. The ship's officers and crew are
always concerned about the welfare of the passengers and the safety
of steamer and cargo.
True, Leo, with the instincts of an artist, had stood for hours on the
deck, partially sheltered by a smoke-stack, to study wave motions and the
ever-changing effects of the ocean. Never before had he known its
sublimity. When the sea was wildest and the deck was wave-swept, he in
his safe retreat made sketches of waves and their combinations which he
hoped sometime to reproduce on canvas. At other times, conscious of storm
dangers in mid-ocean, Leo's conscience troubled him. For a year he had
been much in love with a pretty Italian girl, daughter of an official,
long in the service of the Italian government at the port of New York.
Rosie Ricci was fifteen years old when she first met Leo. Dressed in
white, she entered an exhibition of water colors on W. 10th street with
her mother one May morning, as Leo had finished hanging a delicate marine
view sketched down the Narrows.
Public-domain text, read in full here on John Shaqi.
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