Often young men longed for her acquaintance, but they could never get the consent of her pretty eyes. She was petite, her hair black, her eyes dark brown, her lips ruby-red, and her nose and chin finely chiselled. She had a cameo-like face and complexion of olive tint that told of the land of vines and figs in sunny Italy. Her step was elastic, her manner vivacious and confiding. Her dress was always tidy and stylish. Usually she carried a roll of music in one hand as she left the conservatory, and lovely flowers in the other that had been expressed either by the senator or Leo. On the completion of her course in the conservatory, Leo had pressed his suit so devotedly that Rosie consented to an engagement without her mother's knowledge. The ring of gold contained a single ruby, and Leo had had engraved on the inside of the ring, "Et teneo, et teneor." When Rosie saw the old Roman motto she said, "I hold, and am held. How appropriate, Leo! Your love for me, devotion to the beautiful, and our bright memories of artistic Italy shall bind us together forever. "But Leo, why do you put the ring on the third finger before marriage?" Leo answered, "Because I have read somewhere that many centuries ago the Egyptians believed that the third finger was especially warmed by a small artery that proceeded directly from the heart. The Egyptians also believed that the third finger is the first that a new born babe is able to move, and the last finger over which the dying lose control." "Nonsense," replied Rosie, "once the wedding ring, studded with precious stones, was worn on the forefinger; Christianity moved it to the third finger. Its use was originated in this way: the priest first put it on the thumb, saying 'In the name of the Father'; on the forefinger, adding, 'in the name of the Son;' on the second finger, repeating, 'in the name of the Holy Ghost;' and on the third finger, ending with 'Amen,' and there it staid." Abelard and Heloise were not happier in their unselfish affection than Leo and Rosie in their love. Colors on Leo's canvas now sought each other in magic harmony. At single sittings in his studio Leo made Madonna faces, and glowing landscapes, that evoked words of warm praise from his fellow artists, who were blind to the secret of Leo's remarkable power. For a Christmas present Leo brought Rosie a picture of his own of Rosie's beautiful hand holding lilies of the valley; and while she thanked him in sweetest words, he pinned at her throat a Florentine cameo once worn by his mother. All these things, and more, came flashing into Leo's mind as he struggled on the ship's deck to keep his footing in the storm.