In the other, there was an evening glow: warm, orange-grey sky, cooling into steel-blue; a bower of rose-leaves; an earnest face, with darker hair, and pensive brow, flushed into warmth by the setting sun. And you would know, even had you not been told, that the child, old enough just to enjoy that young melancholy which is pleasant,--is listening to that “Wild bird, whose warble, liquid sweet, Rings Eden through the budded quicks.” For in neither case is the songster seen: with true art the minstrel is left to the imagination to supply, and this subtler artist can furnish voice, form, motion; only one of which three could be given by the painter. These pictures were in the Winter Exhibition; hence, no doubt, their suggestion of the absent bird-songs was the more valued. For perhaps these, like other delights, are the sweetest when they are not possessed, but only remembered and longed-for. That remembrance, however, of Winter, will serve, by contrast, to freshen our enjoyment, as we start, on this warm March day, for Bramley Wood, to descry and collect the old familiar bird-songs as they come back to us in the Spring. To collect these and the flowers, I say, in the heart’s cases and herbarium, for use when Winter comes, and woods are dead, and bird-songs gone. This is a better way than to crowd the staircase and hall with stuffed, silent birds, or to encumber your shelves with dried, brittle, brown specimens; which can never suggest the fresh, juicy, sweet-breathed blossoms, or the quick, never-still, bright-glancing inhabitants of the bushes. For the heart keeps these collections all fresh and full of life, and if a picture or a poem or a strain of music does but summon them up, why, there they are in a minute. Though they may have seemed laid by and forgotten, yet, at the magic call, lo! the heart is a lane of primroses, or a copse of bluebells; the lark is high in the heaven, and the thrush answering the blackbird out of great white sheets of the may.