“There is, therefore, in matters of doctrine, no such thing as the authority of the Church. We might as well talk of the authority of a morning cloud. There may be light in it, but the light is not of it; and it diminishes the light that it gets; and lets less of it through than it receives, Christ being its sun. Or, we might as well talk of the authority of a flock of sheep--for the Church is a body to be taught and fed, not to teach and feed; and of all sheep that are fed on the earth, Christ’s sheep are the most simple,” likely to die in the bramble thickets; “but for their Shepherd, who is for ever finding them and bearing them back, with torn fleeces and eyes full of fear.”[42] There is also an interesting passage in _The Eagle’s Nest_ (p. 135) on “The Light that lighteth every man that cometh into the world.” By way of Church discipline he advises a process of excommunication by a jury of laymen.[43] What of religious decorative art? Surely here the great art critic and apostle of the Beautiful will be found on the ritualist side? Not so. He says that Church art, pictures, images, and so on, “make us believe what we would not otherwise have believed; and, secondly, make us think of subjects we should not otherwise have thought of, intruding them amidst our ordinary thoughts in a confusing and familiar manner.” “This art,” he says, “is misapplied, and in most cases, very dangerously so. Our duty is to believe in the existence of Divine, or any other, persons, only upon rational proofs of their existence; and not because we have seen pictures of them.”