The Harvest of the Sea: A contribution to the natural and economic history of the British food fishesBertram, James Glass
Science
The Harvest of the Sea: A contribution to the natural and economic history of the British food fishes
Bertram, James Glass
Fish culture; Fisheries -- Great Britain; Fishes
Lobsters and crabs can be taken at certain rocky places of the coast;
mussels can be picked from the rocks, and cockles can be dug for in
the sand. Shrimps can also be taken, and various other wonders of the
sea and its shores may be picked up. After a storm a great number of
curious fishes and shells may be gathered, and some of these are very
valuable as specimens of natural history. The apparatus for capturing
lobsters and crabs is like a cage, and is generally made of wicker
work, with an aperture at the top or the side for the animal to enter
by; it can be baited with any sort of garbage that is at hand. Having
been so baited, the lobster-pot is sunk into the water, and left for
a season, till, tempted by the mess within, the game enters and is
caged. Those who would induce crabs to enter their pots must set them
with fresh bait; lobsters, on the other hand, will look at nothing but
garbage. Very frequently rock-cod, saithe, and other fish, are found to
have entered the pots, intent both on foul and fresh food. Shell-fish
for bait can be taken by means of a wooden box or old wicker basket
sunk near a rocky place, and filled with garbage of some kind; the
whelks and small crabs are sure to patronise the mass extensively, and
can thus be obtained at convenience. It is impossible to tell in the
limits of a brief chapter one-half of the fishing wonders that can be
accomplished during a sojourn at the seaside. A visit to some quaint
old fishing town, on the recurrence of “the year’s vacation sabbath,”
as some of our poets now call the annual month’s holiday, might be made
greatly productive of real knowledge; there are ten thousand wonders of
the shore which can be studied besides those laid down in books.
Public-domain text, read in full here on John Shaqi.
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