The Hastings Road and the "Happy Springs of Tunbridge" — John Shaqi
The Hastings Road and the "Happy Springs of Tunbridge"Harper, Charles G. (Charles George)
History
The Hastings Road and the "Happy Springs of Tunbridge"
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs; Hastings Road
The place changes while you look. You turn your back awhile upon the
few surviving fields, the hedgerows, the ditches, and when you glance
upon the scene again they are gone, and carts are delivering loads
of slack-baked place-bricks for the foundations of little £25 houses
that will begin to settle down unsteadily and crack all down their
fronts almost before the roofs are on. Change is rampant here, and
Lewisham, that was once “Lewisham Village,” is a village no longer. The
proverbial saying, “Long, lazy, lousy Lewisham,” that once attached
to the place—a saying which, I doubt not, owed its existence more to
easy alliteration than to actual fact—is, in one respect at any rate,
out of date, for it is now become a very strenuous place indeed,
where tradesfolk hustle for business and crowds throng the pavements.
Modernity marches all over the place in its hobnailed fashion, and
scarifies the soul out of existence. It cannot survive in a modern
populous suburb of wage-earners who go forth at unconscionable hours
of the morning to earn the means of existence and come home to their
brick boxes, exhausted, merely to sleep; and so come to their prime,
joylessly, and decline greyly to an obscure end. The spectacle
frightens and saddens the observer who goes beneath the surface of
things. He wonders what lies in the lap of futurity for the race thus
dissociated from nature, nurtured on the pavements, and condemned to
lifelong comings and goings in the restricted outlook of streets; and,
looking upon old representations of what Lewisham was like in what
he is apt to think the halcyon days of the “20’s” of the nineteenth
century, he grieves for the spacious rusticities of days gone by.
V
Public-domain text, read in full here on John Shaqi.
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