France -- Fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Nobility -- France -- Fiction
On one side of the fireplace stood a large box or wardrobe of choice
woods magnificently carved, such as brides receive even now in the
provinces on their wedding day. These old chests, now so much in request
by antiquaries, were the arsenals from which women drew the rich and
elegant treasures of their personal adornment,--laces, bodices,
high collars and ruffs, gowns of price, alms-purses, masks, gloves,
veils,--in fact all the inventions of coquetry in the sixteenth century.
On the other side, by way of symmetry, was another piece of furniture,
somewhat similar in shape, where the countess kept her books, papers,
and jewels. Antique chairs covered with damask, a large and greenish
mirror, made in Venice, and richly framed in a sort of rolling
toilet-table, completed the furnishings of the room. The floor was
covered with a Persian carpet, the richness of which proved the
gallantry of the count; on the upper step of the bed stood a little
table, on which the waiting-woman served every night in a gold or silver
cup a drink prepared with spices.
After we have gone some way in life we know the secret influence exerted
by places on the condition of the soul. Who has not had his darksome
moments, when fresh hope has come into his heart from things that
surrounded him? The fortunate, or the unfortunate man, attributes an
intelligent countenance to the things among which he lives; he listens
to them, he consults them--so naturally superstitious is he. At
this moment the countess turned her eyes upon all these articles of
furniture, as if they were living beings whose help and protection she
implored; but the answer of that sombre luxury seemed to her inexorable.
Suddenly the tempest redoubled. The poor young woman could augur nothing
favorable as she listened to the threatening heavens, the changes of
which were interpreted in those credulous days according to the ideas
or the habits of individuals. Suddenly she turned her eyes to the two
arched windows at the end of the room; but the smallness of their panes
and the multiplicity of the leaden lines did not allow her to see the
sky and judge if the world were coming to an end, as certain monks,
eager for donations, affirmed. She might easily have believed in such
predictions, for the noise of the angry sea, the waves of which beat
against the castle wall, combined with the mighty voice of the tempest,
so that even the rocks appeared to shake. Though her sufferings were now
becoming keener and less endurable, the countess dared not awaken her
husband; but she turned and examined his features, as if despair
were urging her to find a consolation there against so many sinister
forebodings.
Public-domain text, read in full here on John Shaqi.
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