France -- Fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Nobility -- France -- Fiction
Thus the moral education of the young girl required no less care than
her physical education. The old physician had been compelled to cease
telling stories, such as all children love, to his daughter; the
impressions she received were too vivid. Wise through long practice, he
endeavored to develop her body in order to deaden the blows which a
soul so powerful gave to it. Gabrielle was all of life and love to her
father, his only heir, and never had he hesitated to procure for her
such things as might produce the results he aimed for. He carefully
removed from her knowledge books, pictures, music, all those creations
of art which awaken thought. Aided by his mother he interested Gabrielle
in manual exercises. Tapestry, sewing, lace-making, the culture of
flowers, household cares, the storage of fruits, in short, the most
material occupations of life, were the food given to the mind of this
charming creature. Beauvouloir brought her beautiful spinning-wheels,
finely-carved chests, rich carpets, pottery of Bernard de Palissy,
tables, prie-dieus, chairs beautifully wrought and covered with
precious stuffs, embroidered line and jewels. With an instinct given by
paternity, the old man always chose his presents among the works of that
fantastic order called arabesque, which, speaking neither to the
soul nor the senses, addresses the mind only by its creations of pure
fantasy.
Thus--singular to say!--the life which the hatred of a father had
imposed on Etienne d’Herouville, paternal love had induced Beauvouloir
to impose on Gabrielle. In both these children the soul was killing the
body; and without an absolute solitude, ordained by cruelty for one and
procured by science for the other, each was likely to succumb,--he to
terror, she beneath the weight of a too keen emotion of love. But, alas!
instead of being born in a region of gorse and moor, in the midst of an
arid nature of hard and angular shapes, such as all great painters have
given as backgrounds to their Virgins, Gabrielle lived in a rich and
fertile valley. Beauvouloir could not destroy the harmonious grouping of
the native woods, the graceful upspringing of the wild flowers, the cool
softness of the grassy slopes, the love expressed in the intertwining
growth of the clustering plants. Such ever-living poesies have a
language heard, rather than understood by the poor girl, who yielded to
vague misery among the shadows. Across the misty ideas suggested by
her long study of this beautiful landscape, observed at all seasons and
through all the variations of a marine atmosphere in which the fogs
of England come to die and the sunshine of France is born, there rose
within her soul a distant light, a dawn which pierced the darkness in
which her father kept her.
Public-domain text, read in full here on John Shaqi.
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