France -- Fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Nobility -- France -- Fiction
The words of the count echoed in the bosom of the young wife, then
pregnant; one of those presentiments which furrow a track like lightning
through the soul, told her that her child would be born at seven months.
An inward heat overflowed her from head to foot, sending the life’s
blood to her heart with such violence that the surface of her body felt
bathed in ice. From that hour not a day had passed that the sense of
secret terror did not check every impulse of her innocent gaiety. The
memory of the look, of the inflections of voice with which the
count accompanied his words, still froze her blood, and silenced her
sufferings, as she leaned over that sleeping head, and strove to see
some sign of a pity she had vainly sought there when awake.
The child, threatened with death before its life began, made so vigorous
a movement that she cried aloud, in a voice that seemed like a sigh,
“Poor babe!”
She said no more; there are ideas that a mother cannot bear. Incapable
of reasoning at this moment, the countess was almost choked with the
intensity of a suffering as yet unknown to her. Two tears, escaping from
her eyes, rolled slowly down her cheeks, and traced two shining lines,
remaining suspended at the bottom of that white face, like dewdrops on
a lily. What learned man would take upon himself to say that the child
unborn is on some neutral ground, where the emotions of its mother do
not penetrate during those hours when soul clasps body and communicates
its impressions, when thought permeates blood with healing balm or
poisonous fluids? The terror that shakes the tree, will it not hurt the
fruit? Those words, “Poor babe!” were they dictated by a vision of the
future? The shuddering of this mother was violent; her look piercing.
The bloody answer given by the count at the banquet was a link
mysteriously connecting the past with this premature confinement. That
odious suspicion, thus publicly expressed, had cast into the memories of
the countess a dread which echoed to the future. Since that fatal gala,
she had driven from her mind, with as much fear as another woman would
have found pleasure in evoking them, a thousand scattered scenes of her
past existence. She refused even to think of the happy days when her
heart was free to love. Like as the melodies of their native land make
exiles weep, so these memories revived sensations so delightful that
her young conscience thought them crimes, and sued them to enforce still
further the savage threat of the count. There lay the secret of the
horror which was now oppressing her soul.
Public-domain text, read in full here on John Shaqi.
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