"Leave me, sir," cries Florence, rousing herself from her momentary
weakness, and speaking with all her old fire, "and never presume to
address me again. Go!"
She points with extended hand to the door at the lower end of the
gallery. So standing, with her eyes strangely bright, and her perfect
figure drawn up to its fullest height, she looks superb in her
disdainful beauty.
Dynecourt, losing his self-possession as he gazes upon her, suddenly
flings himself at her feet and catches her dress in his hands to detain
her.
"Have pity on me," he cries imploringly; "it is my unhappy love for
you that has driven me to speak thus! Why is Adrian to have all, and I
nothing? He has title, lands, position--above and beyond everything, the
priceless treasure of your love, whilst I am bankrupt in all. Show me
some mercy--some kindness!"
They are both so agitated that they fail to hear the sound of
approaching footsteps.
"Release me, sir," cries Florence imperiously.
"Nay; first answer me one question," entreats Dynecourt. "Do you love my
cousin?"
"I care nothing for Sir Adrian!" replies Florence distinctly, and in a
somewhat raised tone, her self-pride being touched to the quick.
Two figures who have entered the gallery by the second door at the upper
end of it, hearing these words uttered in an emphatic tone, start and
glance at the _tableau_ presented to their view lower down. They
hesitate, and, even as they do so, they can see Arthur Dynecourt seize
Florence Delmaine's hand, and, apparently unrebuked, kiss it
passionately.
"Then I shall hope still," he says in a low but impressive voice, at
which the two who have just entered turn and beat a precipitate retreat,
fearing that they may be seen. One is Sir Adrian, the other Mrs. Talbot.
"Dear me," stammers Dora, in pretty confusion, "who would have thought
it? I was never so amazed in my life."
Sir Adrian, who has turned very pale, and is looking greatly distressed,
makes no reply. He is repeating over and over again to himself the words
he has just heard, as though unable or unwilling to comprehend them. "I
care nothing for Sir Adrian!" They strike like a knell upon his ears--a
death-knell to all his dearest hopes. And that fellow on his knees
before her, kissing her hand, and telling her he will still hope! Hope
for what? Alas, he tells himself, he knows only too well--her love!
"I am so glad they have made it up," Dora goes on, looking up
sympathetically at Sir Adrian.
"Made it up? I had no idea they were more than ordinary and very new
acquaintances."
"It is quite a year since we first met Arthur in Switzerland," responds
Dora demurely, calling Dynecourt by his Christian name, a thing she has
never done before, because she knows it will give Sir Adrian the
impression that they are on very intimate terms with his cousin. "He has
been our shadow ever since. I wonder you did not notice his devotion in
town."
Public-domain text, read in full here on John Shaqi.
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