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[Illustration: EMMIE'S NEW HOME. _Page 215._]
THE HAUNTED ROOM.
A Tale
BY
_A. L. O. E._,
AUTHOR OF "THE SPANISH CAVALIER," "RESCUED FROM EGYPT,"
"THE LADY OF PROVENCE," ETC.
London:
T. NELSON AND SONS, PATERNOSTER ROW.
EDINBURGH; AND NEW YORK. 1900
Preface.
It is under peculiar circumstances that A. L. O. E. sends forth this
little volume. As it is passing through the press its author is
preparing to enter on a new field of labour in the East, as an honorary
member of the Zenana Mission in India. Of the fact that the missionary
cause has been dear to A. L. O. E. her readers may be aware from her
former writings. She now hopes to be permitted to devote an evening hour
of her life to that cause. India is endeared to her from family
associations; for there a revered father, and subsequently his sons,
lived and laboured, and in that land rests the dust of dear ones who
sleep in Jesus.
If there be, as she fain would hope, something of a tie between a writer
and those familiar with her works, may not A. L. O. E. venture to claim
an interest in the prayers of her readers? May she not hope that they
will ask for her, wisdom, humility, zeal, and success? It would be sweet
to one struggling with the difficulty of learning a new language to know
that many joined in the supplication, "O Lord! open Thou her lips, that
her mouth may shew forth Thy praise!" and that many besought Him whose
strength is made perfect in weakness, to enable His servant to win
Indian gems to lay at His feet.
A. L. O. E.
Contents.
I. A PLEASANT HOME, 9
II. COMING TO A DECISION, 20
III. GOSSIP DOWNSTAIRS, 29
IV. PREPARING TO START, 40
V. HAUNTED ROOMS, 47
VI. THREE WARNINGS, 62
VII. MISTRUST, 70
VIII. THE JOURNEY, 78
IX. NEW ACQUAINTANCE, 88
X. A FAINT HEART, 98
XI. EVENING AND MORNING, 114
XII. THE STRANGER, 124
XIII. WORK, 140
XIV. EARLY IMPRESSIONS, 151
XV. THE FIRST VISIT, 162
XVI. TRY AGAIN, 178
XVII. CARES AND MISTAKES, 186
XVIII. YES OR NO, 194
XIX. THE ECLIPSE, 207
XX. AN ALARM, 219
XXI. INDECISION, 230
XXII. THE HAUNTED CHAMBER, 238
Public-domain text, read in full here on John Shaqi.
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