Adventure stories; Mystery fiction; Short stories, English; Supernatural -- Fiction
"Good, good!" cried the Major, throwing open the door. "An opening has
been made on the floor above corresponding with this, and communicating
with the old stair. Go where you like; find out what you can; but
remember--not a word to Marjorie."
II
Filled with the liveliest curiosity, I set out to explore Low
Fennel. First I directed my attention to the exterior, commencing my
investigations from the front. That part of the building on either side
of the door was evidently of Tudor date, with a Jacobean wing to the
west containing apartments overlooking the lawn--the latter a Georgian
addition; whilst the new east wing, built by Major Dale, carried the
building out almost level with the clump of fir-trees, and into the very
heart of the ferns and bushes which here grew densely.
There was no way around on this side, and not desiring to cross the lawn
at present, I passed in through the house to the garden at the back.
This led me through the northern part of the building and the servants'
quarters, which appeared to be of even greater age than the front of the
house. The fine old kitchen in particular was suggestive of the days
when roasting was done upon a grand scale.
Beyond the flower garden lay the kitchen garden, and beyond that the
orchard. The latter showed evidences of neglect, bearing out the Major's
story that the place had been unoccupied for twelve months; but it
was evident, nevertheless, that the soil had been cultivated for many
generations. Thus far I had discovered nothing calculated to assist
me in my peculiar investigation, and entering the house I began a
room-to-room quest, which, beyond confirming most of my earlier
impressions, afforded little data.
The tortuous stairway, which had been the scene of the event described
by my host, occupied me for some time, and I carefully examined the
time-blackened panels, and tested each separate stair, for in houses
like Low Fennel secret passages and "priest-holes" were to be looked
for. However, I discovered nothing, but descending again to the hall I
made a small discovery.
There were rooms in Low Fennel which one entered by descending or
ascending two or three steps, but this was entirely characteristic of
the architectural methods of the period represented. I was surprised,
however, to find that one mounted three steps in order to obtain
access to the passage leading to the new wing. I had overlooked this
peculiarity hitherto, but now it struck me as worthy of attention. Why
should a modern architect introduce such a device? It could only mean
that the ground was higher on the east side of the building, and that,
for some reason, it had proved more convenient to adopt the existing
foundations than to level the site.
Public-domain text, read in full here on John Shaqi.
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