But it seemed that the rules of Mr Higgs' company prevented any outsider taking up his position in that desirable quarter. The only place from which it was possible to watch the performance, except by going to the front of the house, was the "flies," situated near the roof of the building. Fenn found all the pleasures of novelty in watching the players from this lofty position. Judged by the cold light of reason, it was not the best place from which to see a play. It was possible to gain only a very foreshortened view of the actors. But it was a change after sitting "in front". The piece was progressing merrily. The gifted author, at first silent and pale, began now to show signs of gratification. Now and again he chuckled as some _jeu de mots_ hit the mark and drew a quick gust of laughter from the unseen audience. Occasionally he would nudge Fenn to draw his attention to some good bit of dialogue which was approaching. He was obviously enjoying himself. The advent of Mr Higgs completed his satisfaction, for the audience greeted the comedian with roars of applause. As a rule Eckleton took its drama through the medium of third-rate touring companies, which came down with plays that had not managed to attract London to any great extent, and were trying to make up for failures in the metropolis by long tours in the provinces. It was seldom that an actor of the Higgs type paid the town a visit, and in a play, too, which had positively never appeared before on any stage. Eckleton appreciated the compliment. "Listen," said Fenn's brother. "Isn't that just the part for him? It's just like he was in the dressing-room, eh? Short sentences and everything. The funny part of it is that I didn't know the man when I wrote the play. It was all luck." Mr Higgs' performance sealed the success of the piece. The house laughed at everything he said. He sang a song in his gasping way, and they laughed still more. Fenn's brother became incoherent with delight. The verdict of Eckleton was hardly likely to affect London theatre-goers, but it was very pleasant notwithstanding. Like every playwright with his first piece, he had been haunted by the idea that his dialogue "would not act", that, however humorous it might be to a reader, it would fall flat when spoken. There was no doubt now as to whether the lines sounded well. At the beginning of the second act the great Higgs was not on the stage, Fenn's brother knowing enough of the game not to bring on his big man too soon. He had not to enter for ten minutes or so. The author, who had gone down to see him during the interval, stayed in the dressing-room. Fenn, however, who wanted to see all of the piece that he could, went up to the "flies" again.