The steady low sound of voices came to him, but he made no attempt to listen—his attention was riveted upon the figure of the little girl who was sharply focused, as in an opera-glass, directly in his field of view. Occasionally, as she was spoken to, she smiled, and her cheek dimpled; but she seemed to be looking at him, through the door. She scarcely moved her eyes, but kept them fixed in his direction, as if conscious of an invisible presence. The women talked on. Occasionally Madam Grant’s voice rose to a more excited note, and a few words came to him, betraying to his knowledge of her that her mood had been interrupted by her customary vagaries. At such times the little girl would withdraw her glance to gaze solemnly in Madam Grant’s direction; she showed, however, no signs of alarm. It seemed, indeed, as if the little girl understood, even as he understood, the temporary aberration. Then her eyes would return to his, as if drawn back by his gaze. So the scene lasted for a half-hour, during which time he caught no glimpse of the other visitor. At last a hand was outstretched and the little girl rose. Francis stepped down for a moment to rest himself from his strained position; when he had put his eye again to the crack she had passed out of his line of sight. He was to catch a few words more, however, before the callers left. "I’m glad you came to-day," Madam Grant said. "You were just in time." "Why, are you going to leave here?" "Yes, I’m going away." "Felicia," the visitor said earnestly, "why won’t you let us take care of you? This is no place for you—it is dreadful to think of you here! Now, while you are able to talk to me, do let me do something for you!" "No; it’s too late. Besides, there is Francis," said Madam Grant. "Let Francis come, too. This is a terrible place for a child. Look at this room—look at the filth and disorder!" Madam Grant’s voice rose again. "Take her away, take her away!" she cried raucously. "She’ll go to New York, she’ll go to Toledo—I don’t want her in Toledo meddling! She’ll be in New Orleans the first thing you know; there she goes now! Take her away, take her away!" The door closed. Francis heard the key turn in the lock. Then there was the jarring sound of a fall and finally all was still. He waited for some moments, then he called out: "Mamsy, let me out! let me out!" There was no reply. "Mamsy!" he called out again. "Where are you? Come and let me out, _please_ let me out!" There was still no answer to his pleadings. In terror now, he pounded the panels, shook the handle of the door, and then began to cry. Climbing upon the box again, he caught sight of Madam Grant’s skirt. She was lying prone upon the floor. As he wept on, she moved and began to crawl slowly toward him. At last her hand groped to the door and the key was turned in the lock. He burst out into her arms.