The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Of two, Keith and Fernigan, Granthope had heard much. They were the
pets of a certain smartish social circle, in virtue of their cleverness
and wit. They were of the kind who habitually do "stunts" and were
always expected to make the company merry and informal. Keith was a
tall, wiry, flap-eared, smiling fellow, made up as a Chinese
stage-comedian, with his nose painted white. Fernigan, short, stout to
rotundity, almost bald, with spectacles, and a round, Irish face, was
dressed in woman’s costume, head-dress, earrings, green coat and pink
silk trousers. He was naturally droll, a wag at all times, and his
whimsical way constantly approached a shocking limit but never quite
reached it. He was speaking a good parody of the Cantonese dialect to
his partner, and making eccentric gestures.
Both he and Keith greeted Granthope with mock gravity, addressing him in
pidgin English. Granthope answered with what spirit he had, and, taking
his place at the mirror, placed upon his nose an enormous pair of
blue-glass spectacles, horn-rimmed. They disguised him effectually.
As he left the room, a man with a pointed, reddish beard entered,
dressed in long flowing robes of plum-colored silk.
Granthope caught the greeting: "Hello, Blan!" and turned with curiosity
to see the Mr. Cayley of whom he had heard so much. He did not,
however, wait to be introduced, but passed on.
The great reception-room down-stairs presented one of the most
beautiful, as well as one of the most original, of San Francisco
interiors. It was entirely of redwood, panels six feet in width all
round the walls extending up to a narrow shelf supported by carved
brackets. The low-studded ceiling was broken by a row of finely adzed
beams, carved tastefully at the ends. A feature of the reception-room
was a wide fireplace of terra cotta surmounted by a mantel, consisting
of at least a dozen combined moldings, each member of which showed a
striking individuality of detail. The place was illuminated by side
brackets in the form of copper sconces. Granthope entered, quite at his
ease, with a long, swinging, heel-and-toe stride that comported well
with his costume.
Public-domain text, read in full here on John Shaqi.
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