The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
There were already some half-dozen persons sitting about the room, most
of whom seemed afraid to talk for fear of disclosing their identity, or
perhaps, a little too self-conscious in their garish raiment. The
silence, if it had not been painful, would have been absurd. Granthope
looked in vain for any sign of his hostess’ presence, and then
suspecting that she, too, was masked to enjoy the piquancy of the
situation, he saluted one of the ladies, sat down beside her and began a
conversation. Knowing that few were acquainted with him he had no need
to disguise his voice. He sat on a straight chair stiffly, as he had
seen Chinese actors pose at the theater, his toes turned out in opposite
directions so as to insure the proper fall of the skirt of his robe, and
disclose, through a narrow gap, the splendor of his lavender trousers.
His partner answered him in whispers.
As he sat talking nonsense gaily, a woman came into the room with so
perfect an imitation of the "tottering lily" walk affected by high-caste
Chinese women, that he turned his eyes upon her in delight at her
acting.
She was of a good height; and her white embroidered shoes, whose heels
were placed in the center of the sole, gave her nearly two inches more.
Her costume was a rainbow of subdued contrasting colors. It was evident
at a glance that every garment she wore was old, valuable and consistent
with her character of bride.
The smoothly coiled rolls of her black wig were decorated by numerous
gold ornaments and artificial flowers. Across her forehead was a
head-dress of gold filigree-work and kingfisher feathers; its ribbon was
tied in the back of her head and fell in fanciful ends. She wore two
coats—the outer was of yellow brocaded silk, a pastel shade, trimmed
with a wide stripe of close blue embroidery and rows of looking-glass
buttons—the inner one, shorter, was of blue and black appliquéd work in
bold, virile pattern. Below this showed her closely-pleated skirt of
old rose with a panel of gold embroidery in the center; this, as she
walked, revealed occasional glimpses of a pair of full straight green
trousers trimmed with horizontal stripes, and a flash of white silk
stockings. Necklaces she had in profusion, one of jade, one of purple
mother-of-pearl, one of white coral, one of sandalwood; and others in
graded sizes and colors. In her right hand she carried a narrow
gold-paper fan; on her left wrist was a jade bracelet, and, pulled
through it, a green silk handkerchief with a purple fringe.
Her entry made a sensation, as she courtesied gravely to each one in
turn. So, playing her part cleverly, she came to Granthope, who arose
and greeted her with a dignified salaam. So far they were the only ones
who had at all entered into the spirit of the occasion, and he did his
best to meet her character and play up to her elaborate salutation. He
offered his arm, then, and escorted her, with considerable manner, to a
long settee.
Public-domain text, read in full here on John Shaqi.
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