The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
In all this pantomime she had preserved a serious expression, the
repressed, almost inanely impassive, set face of a Chinese lady of rank;
but when at last she was seated, she turned full upon him and smiled
under her mask.
The effect upon Granthope was a sudden thrill of overpowering delight.
He was deliciously weakened by the revelation. His breath came
suddenly, with a swift intake—the blood rioted through his veins.
She wore a much wider mask than the others, so that nothing but her
mouth and chin was shown. But that mouth was so tempting, with its
ravishing, floating smile, and that smile so concentrated in its
limitation to a single feature, that it turned his head. The lips were
narrow and bright; the blood seemed about to ooze through the skin. The
upper one was curved in a tantalizing bow between the drops of soft
shadow at the corners. The cleft above seemed to draw her lip a little
upward to disclose a line of small, perfect, regular teeth of a
delicate, bluish white translucence, which, parting, showed a narrow
rosy tongue. The lower lip was that delicious fraction of an inch
lesser than the upper one which, in profile, gave her a touch of
youthful, almost boyish, wistfulness. Her round, firm chin showed, from
the same point of view, a classic right angle to her throat, where the
line swept down the proud column of her neck, there to swing tenderly
outward toward her breast.
He could not take his eyes from her, but he had not the will to restrain
his staring. The spell was irresistible; he drank her deep and could
not get enough. For these whirling moments he was at the mercy of the
attraction of sex, impersonal, yet distilled to an intoxicating essence.
Had it not been for her mask hiding the upper part of her face, had her
eyes corrected this almost wanton loveliness with some reserve or with
the effect of a more intellectual character, had his glance even been
given a chance to wander over equally enchanting components of that
expression, he undoubtedly would not have been so moved by the sight of
her laughing, tempting mouth. But that, faultlessly formed, exquisitely
sexed, whimsically provocative, had for him, with the rest of her face
hidden, an original and freshly flavored delight. In the spectrum of
her beauty the violets and blues of her spirit, the greens and orange of
her mind were for the nonce inhibited; only the vibrant red rays of her
physical personality smote him, burning him with their radiance. But
there was, he felt, no malice behind that smile, though it was
mischievous; there was nothing wanton there, though in this guise her
lips seemed abandoned and inviting. There was, in their flexed contour,
in the engaging mobility of their poise, no consciousness of anything
sensually appealing. It was, rather, as if he gained some secret aspect
of the woman beneath and behind all conventions of morality, of modesty,
and of discretion. So far, indeed, she seemed, in a way, without a
personality.
Public-domain text, read in full here on John Shaqi.
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