The Heart Line: A Drama of San Francisco — John Shaqi
The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
In New York, a good guesser would have put her age at twenty-three; but,
taking into account the precocious effect of the California climate,
nineteen might be nearer the mark. She was, at all events, a finished
product; there was no evidence of diffidence or _gaucherie_ about Fancy
Gray. She appeared to be very well satisfied with herself. If, as she
evidently did, she considered herself beautiful, her claim would
undoubtedly be acknowledged by most men who met her for the first time.
On those more fastidious, she had but to smile and her mouth grew still
more generous, showing a double line of white teeth, those in the lower
jaw being set slightly zigzag, as if they were so pretty that it had
been wished to put in as many as possible—her cheeks dimpled, her eyes
half closed—and she triumphed over her critic. For there was something
more dangerous than beauty in that smile; there was an elfin humor that
captured and bewildered—there was warmth and welcome in it. It made one
feel happy.
As she sat at her desk in the waiting-room she could look across the
corner of Geary and Powell Streets to catch the errant eye of passing
cable-car conductors, or gaze, in abstraction, at pedestrians crossing
Union Square, or at the oriental towers of the Synagogue beyond. With
the bait of a promising smile, she caught many an upward glance. Fancy
Gray was not in the habit of hiding her charms, and she levied tribute
to her beauty on all mankind. She gazed upon women, however, far less
indulgently than upon men; never was there a more captious observer of
her sex. A glance up and a glance down she gave; and the specimen was
classified, appraised, appreciated, condemned, condoned or complimented.
Not a pin missed her scrutiny, not a variation of the mode escaped her
quest for revealing evidence. A woman could hardly pass from contact
with Fancy’s swift glance without being robbed, mentally, of everything
worth while that she possessed in the matter of novelty in fashion or
deportment. Fancy appropriated the ideas thus gained, and made use of
them at the earliest opportunity. The waiting-room bore, upon the
outside, the legend:
+−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−+
| |
| FRANCIS GRANTHOPE, PALMIST |
| |
+−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−+
Public-domain text, read in full here on John Shaqi.
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