The Heart Line: A Drama of San Francisco — John Shaqi
The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
It was a large room, unfurnished except for a couch in a recess of the
wall and a table with two chairs drawn up under an electric-light bulb
which hung from the ceiling. The walls were covered from floor to
cornice by an arras of black velvet, falling in full, vertical folds,
sequestering the apartment in soft gloom. Over the couch, this drapery
was embroidered with the signs of the zodiac in a circle—all else was
shadowy and mysterious.
The young woman walked into the place with her leisurely stride—her chin
a little up-tilted, her eyes curious. In the center of the room she
stopped and looked slowly and deliberately about her. The corners of
her mouth lifted slightly with amusement, evidently at the obvious
picturesqueness of the studio.
Granthope watched her keenly. With his eyes and ears full of Fancy
Gray’s ardent, dramatic youth, sparkling with the sophistication of the
city, slangy, audacious, gay, this girl seemed almost unreal in her
delicacy and exquisite virginity, a creature of dreams and faery, the
personification of an ideal too fine and fragile for every-day. Her
face showed caste in every line. He was a little afraid of her. Her
bearing compelled not only respect, but, in a way, reverence—a tribute
he seldom had felt inclined to pay to the _mondaines_ who visited him.
His confidence, however, soon asserted itself. He had found that all
women were alike—there were, as in chess, several openings to his game,
but, once started, the strategy was simple.
"Well, how do you like my studio?"
"It’s like dreams I’ve had," she said. "I like it. It’s so simple."
"Most people think it too somber."
"It is somber; but that purple-black is wonderful in the way it takes
the light. And it’s all so different!"
"Yes, I flatter myself it is that. But I’m ’different’ myself."
"Are you?" She turned her eyes steadfastly upon him for the first time,
as if mentally appraising him, as he stood, six feet of virility,
handsome, vivid and nonchalant. The color which had risen to her cheeks
still remained.
"You are, too," he went on, examining her as deliberately.
She smiled faintly and took a seat by the table and removed her veil.
Her face was now clearly illuminated, and Granthope’s eyes, traveling
from feature to feature in quest of significant details, fell upon her
left cheek. His look was arrested at the sight of a brown velvety mole,
a veritable beauty-spot, heightening the color of her skin. It was
charming, making her face piquant and human. His hand went to his
forehead thoughtfully.
Public-domain text, read in full here on John Shaqi.
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