The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
But Fancy Gray showed no such symptoms. She did not bid for the men’s
attention. She made a point of talking to Elsie, and she managed
cleverly to include Mabel in the attention she received. Fancy, in her
turn, scrutinized the two girls artfully and made her own instantaneous
deductions. All of this by-play was, of course, quite lost upon the
men.
The talk sprang into new life and Fancy’s eye ran from one to another
member of the group, dwelling longest upon Dougal. His ugliness seemed
to fascinate her; and, as is often the case with ugly men, he inspired
her instant confidence. She made up to him without embarrassment or
concealment, taking his hairy hand and caressing it openly. At this,
Elsie’s eyelids half closed, but there was no sign of jealousy. Mabel
noticed the act, too, and her manner suddenly became warmer toward the
girl. By these two feminine reactions, Fancy saw that she had done
well.
They sang, they pounded the table; and, as an initiation, every man
saluted Fancy’s cheek. She took it like an empress. Then, suddenly,
Dougal held up two fingers. Every one’s eyes were turned upon him.
"_Piedra, Pinta?_" he cried, with a side glance at Fancy.
Every one voted. Mabel held up both her hands gleefully.
So was Fancy Gray, though she was not aware of the honor till afterward,
admitted to the full comradeship of the Pintos. It was a victory. Many
had, with the same ignorance as to what was happening, suffered an
ignominious defeat. Fancy’s election was unanimous.
And for this once, in gratitude for his discovery, Mr. Gay P. Summer,
The Scroyle, was suffered to inflict himself upon the coterie of the
Pintos.
There were other honors in store for Fancy Gray.
Piedra Pinta is two hours’ journey from San Francisco to the north, in
Marin County—a land of mountains, virgin redwood forests and
trout-filled streams. One takes the ferry to Sausalito, crossing the
northern bay, and rides for an hour or so up a little narrow-gage
squirming railroad into the canyon of Paper Mill Creek; and, if one has
discovered and appropriated the place, it is a mile walk up the track
and a drop from the embankment down a gravelly, overgrown slope, into
the camp-ground. Here a great crag rears its vertically split face,
hidden in beeches and bay trees. At its foot a flattened fragment has
fallen forward to do service as a fireplace. Beyond, there are more
boulders in the stream, which here widens and deepens, overhung by
clustering trees. Save when an occasional train rushes past overhead, or
a fisherman comes by, wading up-stream, the place is secret and silent.
Opposite, across the brook, an oat-field slopes upward to the country
road and the smooth drumlins beyond. A not too noisy crowd can here lie
hugger-mugger, hidden from the world.
Public-domain text, read in full here on John Shaqi.
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