The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
To Piedra Pinta that next Saturday they came, bringing Fancy Gray, a
smiling captive, with them. The men bore blankets and books; the women
food and dishes enough for a picnic meal. They came singing, romping up
the track, big Benton first with the heaviest load. In corduroys and
jeans, in boots and flannel shirts they came. Little Elsie, like a girl
scout, wore a rakish slouch hat trimmed with live carnations, a short
skirt, leggings, a sheath knife swinging from her belt. Mabel had her
own pearl-handled revolver. The rest looked like gipsies.
They slid down the bank and debouched with a shout into the little
glade. Fancy entered with vim into the celebration. Not that she did
any useful work, that was not her field; she was there chiefly as a
decoration and an inspiration. She had dressed herself in khaki. Her
boots were laced high, her sombrero permitted a shower of tinted
tendrils to escape and wanton about her forehead. She found fragrant
sprays of yerba buena and wreathed them about her neck.
It was all new and strange to her, all delightful. She had seen the
artificial side of the town and knew the best and worst of its gaiety;
but here, in the open for almost the first time, she breathed deeply of
the primal joys of nature and was refreshed. Her curiosity was
unlimited; she played with earth and water, fire and air. She
unbuttoned the collar of her shirt-waist and turned it in, disclosing a
delicious pink hollow at her throat. She rolled up her sleeves,
displaying the dimples in her elbows. At the preparations for the
dinner she was an eager spectator, and when the meal was served, smoked
and sandy, and the bottles were opened, all traces of the fairy in her
disappeared; she was simple girl. She ate like a cannibal and ate with
glee.
The shadows fell. The nook became dusky, odorous, moist; the rivulet
rippled pleasantly, the ferns moved lazily in the night airs. The moon
arose and gave a mysterious argent illumination. The going and coming
ceased, the shouting and lusty singing grew still. The blankets were
opened and spread at the foot of the rock. Dougal and Elsie took their
places in the center and, the men on one side and the girls on the
other, they lay upon the ground and wrapped themselves against the
cooling air. The fire was replenished and its glare lighted up the
trees in planes of foliage, like painted sheets of scenery.
They lay down, but not to sleep. Dougal’s coffee, black and strong,
stimulated their brains. The talk ran on with an accompaniment of song
and jest. One after another sprang up to sing some old-time tune or to
recite a familiar, well-beloved poem; the dialogue jumped from one to
the other. Some dozed and woke again at a chorus of laughter; some sat
wide-eyed, staring into the fire, into the darkness, or into one
another’s eyes.
Public-domain text, read in full here on John Shaqi.
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