The Heart of a MysterySpeight, T. W. (Thomas Wilkinson)
General
The Heart of a Mystery
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century; Mystery and detective stories
That first night, and many nights afterwards, Isabel cried herself to
sleep in the huge four-poster, with its funereal draperies, in which
they put her to bed. All her life she had been used to being petted
and made much of, and had hardly known what it was to be alone. But
now she was left by herself in a great ghostly room from six o'clock
at night till seven next morning. She felt herself to be quite an
unconsidered trifle in that huge ocean of bed. She was morally sure
that those grim portraits on the walls--dark, frowning gentlemen in
perukes and embroidered clothes, and stately ladies in hoops and
high-heeled shoes--whispered to each other about her, Isabel
Pengarvon; and that after the candle was taken away they stepped down
out of their frames, and hastened to join the other ghosts in the long
gallery, where they danced and flirted and took snuff with each other,
till some watchful cock on a faraway farm sounded the warning note
which sent them back to their faded frames, there to attitudinize in
silent mockery till another midnight should come round.
But these first fears gradually wore themselves away, and in time
Isabel and the portraits became great friends. She would sit up in bed
on moonlight nights, and talk to them by the hour together. She
invented private histories for many of them--strings of adventures,
such as only a child's brain could have imagined. Like other people,
she had her favorites. Among such were "my Lady Bluesash" and "Miss
Prettyshoes," "Mr. Longcurls" and "Captain Finelace," all people of
quality, who were so good-natured as to have no secrets from Isabel.
With that marvellous adaptability which all children possess in a
greater or lesser degree, Isabel gradually learned to look upon Broome
as her home, and to have few cares or interests that were not bounded
by its four grey walls. She lighted up the solitary old house like a
ray of sunshine that warms and brightens at the same time. On Sundays
she went with her sisters to church, and was shut up with them in the
great oaken pew, with its closely-drawn curtains, where the preacher's
voice came to her as the voice of one that crieth in the wilderness,
he himself being altogether unseen, and from whence nothing was
visible to her wandering eyes save a portion of the groined roof and
two hideous gargoyles, whose staring eyes seemed to watch her every
movement.
When Isabel was fourteen years old she was sent to a school in
Nottingham to complete her education. Since her arrival at Broome her
only teacher had been Miss Letitia, who, in their long hours together
over their lessons, had, in her own cold, formal way, grown to like
the bright-eyed, high-spirited girl far better than at one time she
believed it possible she ever should do. Isabel was away for three
years; at seventeen she came home "finished."
Public-domain text, read in full here on John Shaqi.
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