The heart of Asia : $b A history of Russian Turkestan and the Central Asian Khanates from the earliest timesSkrine, Francis Henry
History
The heart of Asia : $b A history of Russian Turkestan and the Central Asian Khanates from the earliest times
Skrine, Francis Henry
Asia, Central -- History; Asia, Central -- Relations -- Russia; Russia -- Relations -- Asia, Central
The manufacture of brandy is a new industry at Samarkand. About 155,000
gallons are made annually for local consumption. The out-turn of wine
is on nearly the same scale. In the opinion of French experts, the
produce of a Central Asian grape is at least as good as that of the
Medoc and Burgundy districts. The wine is of high alcoholic strength,
and mellows rapidly. In this costly process, however, large capital
is required, and the manufacture languishes in its absence. Casks,
bottles, and corks are imported at great expense from Russia; and a
reduction of railway rates is urgently called for. We have not yet
exhausted the uses of Central Asian grapes. Those which are fit for
nothing else are boiled into a syrup which serves to sweeten green tea,
ices, and confectionery.[744]
Samarkand resembles Bokhārā in the character of its population, which
does not exceed 50,000. The Rīgistān is a happy hunting-ground for
the ethnologist. Here one may listen unmolested to the professional
story-teller, who holds his audience enthralled by oft-repeated tales
of ancient chivalry.
There are two classes of public reciters: the _maddāh_, who stands
while he relates edifying or amusing anecdotes; and the _risālachi_,
who, seated on the ground, recites tales and legends in verse to a
monotonous accompaniment on the two-stringed lute. Among these public
entertainers there exists a system of organised applause. Two or three
men or boys (very often themselves entertainers taking an interval)
sit down at a distance of some ten yards facing the story-teller, and,
throughout the entertainment, ejaculate at fixed intervals (as it were
punctuating the commas and full stops in the story) such words as
_hakkan_, “of a truth,” and _khūsh_, “bravo,” etc.
At the close of every recitation they are warned that “Amin” must be
said, and in pronouncing it they place their hands with fingers clasped
beneath the chin. Then follows a collection, and as the tiny brass coin
rain into the performer’s cap he acknowledges the generosity of each
giver by a nicely graduated meed of thanks.
Public-domain text, read in full here on John Shaqi.
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